Kaya Scodelario Quotes

There are lots of good directors I would like to work with; I want to be inspired and challenged by them.

I was fortunate enough to work under directors who were, most of them, brilliant, emotional men.

Working at Pixar you learn the really honest, hard way of making a great movie, which is to surround yourself with people who are much smarter than you, much more talented than you, and incite constructive criticism; you'll get a much better movie out of it.

I don't even know what a traditional producer is or does. I feel like the job is like being a coach, building good work habits and building trust. You want to get to a point where you can say anything and talk about anything. There needs to be a real connection.

Shadowing is really a great way to learn how the entire TV-making mechanism works. I had the distinct pleasure of shadowing the gifted and talented Allison Anders, who taught me a great deal about the importance of collaboration and trusting the talent around you.

I love working with young people and young filmmakers, and I love working on first films. I think it's cool. It's fun. I just take it as it comes.

My producer for the first 'Kung Fu Panda' movie, Melissa Cobb, is an amazing woman. She's supersmart and helps push everyone - male, female, anyone - to do their best.

I really just want to work with good directors and learn as much as I possibly can.

I would love to just keep working with really great directors who really inspire me.

Working with Subhash Ghai is always a different experience. Subhashji is my mentor. I'm always glad to work with him.

I'm lucky to be surrounded by incredibly talented people at Pixar, of course, and I learn a lot from them each and every day.

I really like working with different directors. It's really fun.

I've always surrounded myself with talented people, both in film and in business.

I worked with young directors all my life, only young directors.

In my industry, it's important to have people I look to for different things: guidance, inspiration and motivation.

All the directors that I've had the opportunity to work with are fantastic.

And I just want to work with good directors and good people.

Fashion is much more collaborative than one might think. You have to have an idea and vision, and you have to communicate that vision to a team of people, and you have to create an environment that allows those people to give the best that they can give.

One of the lessons I have learned in the different stages of my career is that science is not done alone. It is through talking with others and sharing that progress is made.

I've been very lucky to work with a lot of amazingly supportive directors.

I have worked with some very great directors.

I don't plan in terms of career ambitions. The only career ambition I have is to work with people who are going to bring you up and elevate your performance. They'll let you know things that you didn't know already and bring you places that you might not have gotten to otherwise.

But I'm blessed to work with great people. I collaborate with brilliant stylists both here and in Paris. I work with a great design team. I really allow everyone to bring their ideas. I almost rely on them to inspire me.

Leaders don't create followers, they create more leaders.

I've been fortunate to work with several actors and directors who I look up to, and learned from each of them.