Tyra Banks Quotes

When I was growing up in L.A. in the late '70s and early '80s, Michael Jackson's was the first face on TV that looked like mine.

In New York, a 13-year-old Indian girl came up to me crying, saying to everyone nearby, 'This is where I come from.' It's easy to forget that actors have the ability to instill a sense of self in viewers. That's the greatest compliment.

I'm admitting that I don't know that to be true, but it does sound pretty good. So a big part of my childhood was affecting black culture and black accents and black music and anything black I was into.

Nothing about human beings ever had the power to move me as a child. Black Beauty now ... !

When children listen to music, they don't just listen. They melt into the melody and flow with the rhythm. Something inside starts to unfold its wings - soon the child and the music are one.

Hair is vitally personal to children. They weep vigorously when it is cut for the first time; no matter how it grows, bushy, straight or curly, they feel they are being shorn of a part of their personality.

In all fields black consciousness seeks to talk to the black man in a language that is his own

The kind of response I hope for when I write my novels for children: to give them a chance to recognize something of their own feelings -- about themselves, their parents, their friends -- and their own situation as a kind of subject race, always at the mercy of the adults who mostly run their lives for them.

He is not to them what he is to me," I thought: "he is not of their kind. I believe he is of mine- I am sure he is- I feel akin to him- I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him.

I'm very musically inclined. My parents were opera singers. As a young child, I could hear operas and I knew if they were sad, or if they reminded me of something, or they brought back a memory.

I wish that we could look into each other's faces, in each other's eyes, and see our own selves. I hope that the children have not been so scarred by their upbringing that they only think fear when they see someone else who looks separate from them.

A mother knows what her child's gone through, even if she didn't see it herself.

Children learn to speak Male or Female the way they learn to speak English or French.

I have no idea what happens, but I do respond to other cultures that treat life with a much more positive approach. It teaches - especially when you're a child - it teaches you to be afraid of everything, you feel like something bad is always going to happen. As to where that other way seems a much more spiritual and positive approach.

Like any child, I slid into myself perfectly fitted, as a diver meets her reflection in a pool. Her fingertips enter the fingertips on the water, her wrists slide up her arms. The diver wraps herself in her reflection wholly, sealing it at the toes, and wears it as she climbs rising from the pool, and ever after.

It sounds schmaltzy to say, but fiction is much more to do with love than people admit or acknowledge. The novelist has to not only love his characters - which you do, without even thinking about it, just as you love your children. But also to love the reader, and that's what I mean by the pleasure principle.

You will say that everyone has seen landscapes and figures from childhood on. The question is: Has everybody also been reflexive as a child? Has everybody who has seen them also loved heath, fields, meadows, woods, and the snow and the rain and the s.

I think music is a lifting force, I think love is the lifting force in the human condition. I think you see someone loving on their child, and it moves you, and you can't help it.

I remember, when I was a child and wrote poems in little clasped books, I used to kiss the books and put them away tenderly because I had been happy near them, and take them out by turns when I was going from home, to cheer them by the change of air and the pleasure of the new place. This, not for the sake of the verses written in them, and not for the sake of writing more verses in them, but from pure gratitude.

We become lovers when we see Romeo and Juliet, and Hamlet makes us students. The blood of Duncan is upon our hands, with Timon werage against the world, and when Lear wanders out upon the heath the terror of madness touches us. Ours is the white sinlessness of Desdemona, and ours, also, the sin of Iago.

We all know to feel sympathy for those who've suffered from drug addiction, child abuse, and terminal illness, so the set up elicits an emotional response that the story itself very well may not earn. Energy generated by the fiction itself is likely to produce more light.

Jon Krakauer had documented it very accurately and very well but this kid made a real impression on people, and likewise they on him. To talk to them was very moving in many cases because they talk about him like they saw him yesterday. In most cases they knew this kid for a couple of weeks in their whole life and he just lasted with them.

In my entire career, I've never cried, consistently, through a movie, ever.

Growing up as a mixed-race kid myself, when you are in the middle of it and you're young...you don't think about it consciously. It's your reality.

The word love carries the same vibration in any language. You probably know this guy, you probably had dinner with him yesterday. The Japanese water crystal guy?