Metro Boomin Quotes

It was quite nice having a routine, going to the studio every day and finishing off 'Wild World'.

I got FL studios; I looked up how to make beats and how to record myself, and then I just started making music from there.

In about seventh grade, that's when we started playing around with beats, rhymes.

I was about 18 when I started making music, making beats. My mindset was totally different.

Rap isn't that time-consuming for me, compared to an ordinary artist. I do not stay in the studio all day.

I was 16 when I recorded 'Flashlight.' I produced it, made the beat, wrote it, recorded it.

I started making beats in high school.

I've written a couple raps in my day, in my own music career, that people don't know a lot about.

I'm a hip hop dude who loves scoring for film.

Really, I just sit down, mess around, and play with sounds.

I used to re-create the beats that I heard.

When you work with Drake, you don't really work with Drake. You send him the song, he rap on it, then y'all done worked together. So it ain't like me and him sitting in the studio.

I started by producing, and the rapping came second to that, because I wanted to fill out the beat.

I don't want to be on the mic, man. I want to stay producing.

My job is to make beats and make something hot.

Grooves are important to John Talabot - they're pivotal. That's the case with most dance-music producers, but there's something especially sleek about the Spanish producer's debut album, 'fIN.'

I can't freestyle or else I'll just start saying anything, so I'll write the song first and then record. I'll rap to the producer and he'll make the beat off my rap.

Future was always the person to knock out multiple bangers in one night.

I started making beats when I was nine in my bedroom and garage.

The difference between doing a remix and an original track is that when you do a remix, you obviously already have the original track as a starting point. But with the originals you start from scratch.

When Thug hears a song, he knows how the whole shape of the thing goes. He can nudge the whole frame to the left to make it offbeat and sound how he wants it to sound.

Certain key words, like, 'break it down,' 'this is how we do it' - they'll always end up on my tracks.

Whether for company or isolation or just to make it a pleasurable experience, I have music in my ears all the time. I tend to listen to the same things, so I don't really pay too much attention to it. But it's there, and it's nice, and I do pay more attention to it than I probably should. I think, 'How can I use this music in something?'

When I was in middle school, that's when I first started making beats. I was maybe 14, 16, something like that.

It is easy to get an interesting loop to happen, but it becomes a collage when the song and loop are constantly changing.