Wallace Stegner Quotes

Many of us believe that 'real artists' do not experience self-doubt. In truth, artists are people who have learned to live with doubt and do the work anyway.

I'd written a lot of songs with hummingbirds in them. None of them ever came to anything, but I did write a few lines last month. It went like this: 'Listen to the hummingbird whose wings you cannot see. Listen to the hummingbird, don't listen to me'.

There are many things I think about that never get to the point of becoming serious. In other words, I try to talk myself out of writing, sometimes for many years, and when I run out of arguments, I write.

I never quite dare to believe I'm brave enough to be an artist, but I'm on the side of artists. I think of myself as a bit of a Salieri, looking with longing eyes at Mozart.

On "Tonight" I think I was torn dreadfully between writing what I wanted to write, but keeping it in a style that would follow up what I had just done. That's where I feel I was untrue to myself as an artist . . . that album and, to a lesser extent, "Never Let Me Down."

Writing is a sad process, sitting on your ass for many, many hours, alone in a room, smelling like coffee, sadness and bitterness, and watching your youth leave.

I don't think I'd ever get any better as a poet if I didn't push myself, very deliberately, to grow. My best poems surprise me, as they should, but I fight them at every turn, possibly just because I'm stubborn.

I try to write every day. Sometimes the things come out well, and sometimes they don't. When they come out well you think, Wow, I must be really great; and when they come out poorly, you think you must be terrible, but the truth is that's how any process works.

Hours later the blank sheet still stared at me, and I beat my fist against the desk in fury and fustration, striking it so hard my hand bled. That is how heavy a secret can become. It can make blood flow easier than ink.

There's a lot of people scared of me, and I can't blame them. They call me crazy so much I think I'm starting to believe them.

I love to write when I feel like everybody else is asleep and when I feel like the world is kind of empty in some ways. I find, oddly enough, that I write about loneliness and isolation a lot.

It was one thing to make a mistake; it was another thing to keep making it. I knew what happened when you let yourself get close to someone, when you started to believe they loved you: you'd be disappointed. Depend on someone, and you might as well admit you're going to be crushed, because when you really needed them, they wouldn't be there. Either that, or you'd confide in them and you added to their problems. All you ever really had was yourself, and that sort of sucked if you were less than reliable.

I feel like writing songs is cheating on acting. It's weird.

If one person “wastes” away his day by spending hours connecting with God, and the other person believes he is too busy or has better things to do than worship the Creator and Sustainer, who is the crazy one?

I mean, maybe I am crazy. I mean, maybe. But if this is all there is, then I don't want to be sane.

No thinking being lives who, at some luminous point of his life of thought, has not felt himself lost amid the surges of futile efforts at understanding, or believing, that anything exists greater than his own soul.

What profession is more trying than that of author? After you finish a piece of work it only seems good to you for a few weeks; or if it seems good at all you are convinced that it is the last you will be able to write; and if it seems bad you wonder whether everything you have done isn’t poor stuff really; and it is one kind of agony while you are writing, and another kind when you aren’t.

We have creative freedom because of budgets. Ever since I have been doing low budget movies, we've really had creative freedom.

I would much rather sit, dimmed by inattention, and study the atmosphere and the silence and dance between people, but often times I’m not offered this privilege. The necessity for isolation, and the striving for popularity is the only contradiction I find in being a writer and an actress.

I suffer as always from the fear of putting down the first line. It is amazing the terrors, the magics, the prayers, the straitening shyness that assail one. It is as though the words were not only indelible but that they spread out like dye in water and color everything around them. A strange and mystic business, writing.

I do not believe that there was ever a question of being abstract or representational. It is really a matter of ending this silence and solitude, of breathing, and stretching one's arms again transcendental experiences became possible.

Entrepreneurs are all a little crazy. There is a fine line between an entrepreneur and a crazy person. Crazy people see and feel things that others don't. An entrepreneur's dream is often a kind of madness, and it is almost as isolating. What differentiates the entrepreneur from the crazy person is that the former gets other people to believe in his vision.

When I start writing songs, and they come easily, I'm always very suspicious. That usually means they're reminding me of something I've already done before. When the songs become unsettling, and I feel anxious about what I'm doing, that usually means it's going to be more interesting later on when we actually record the stuff.

I'm never finished with my paintings; the further I get, the more I seek the impossible and the more powerless I feel.

I sometimes think that I can't do the bigger thing that [Zadie Smith] do so beautifully, as in Swing Time, with so much world in it and so much rapturous paint thrown around. I don't think it would be possible to write a book on that scale with as much OCD as I have.