Marcel Marceau Quotes

One must either take an interest in the human situation or else parade before the void.

My search not only failed, but I convinced myself that all those who had searched like myself had failed also, and come like me to the despairing conviction that the only absolute knowledge man can possess is this—that life is without a meaning.

I searched all areas of knowledge, and not only did I fail to find anything, but I was convinced that all those who had explored as I did had also come up with nothing. Not only had they found nothing, but they had clearly acknowledged the same thing that had brought me to despair: the only absolute knowledge attainable by man is that life is meaningless.

If the whole world is evil, then the tragedy that befell you is justified," she went on. "That would make it easier for you to accept the deaths of your wife and daughters. But if good people do exist, then, however much you deny it, your life will be unbearable; because fate set a trap for you, and you know you didn't deserve it. It isn't the light you want to recover, it's the certainty that there is only darkness.

In the end, the art of hunger can be described as an existential art. It is a way of looking death in the face, and by death I mean death as we live it today: without God, without hope of salvation. Death as the abrupt and absurd end of life

alone with everybody the flesh covers the bone and they put a mind in there and sometimes a soul, and the women break vases against the walls and them men drink too much and nobody finds the one but they keep looking crawling in and out of beds. flesh covers the bone and the flesh searches for more than flesh. there's no chance at all: we are all trapped by a singular fate. nobody ever finds the one. the city dumps fill the junkyards fill the madhouses fill the hospitals fill the graveyards fill nothing else fills.

In these years we are witnessing the gigantic spectacle of innumerable human lives wandering about lost in their own labyrinths, through not having anything to which to give themselves.

Life is a vexatious trap; when a thinking man reaches maturity and attains to full consciousness he cannot help feeling that he is in a trap from which there is no escape.

Broke with nothing to live for and damn ready to die young. I'm the shadow behind the gun, look what I've become.

Alas! What is man? Whether he be deprived of that light which is from on high, of whether he discard it, a frail and trembling creature; standing on time, that bleak and narrow isthmus between two eternities, he sees nothing but impenetrable darkness on the one hand, and doubt, distrust, and conjecture, still more perplexing, on the other. Most gladly would he take an observation, as to whence he has come, or whither he is going; alas, he has not the means: his telescope is too dim, his compass too wavering, his plummet too short.

There was an enjoyment to being alive, he felt, that because of an underlying meaninglessness–like how a person alone for too long cannot feel comfortable when with others; cannot neglect that underlying the feeling of belongingness is the certainty, really, of loneliness, and nothingness, and so experiences life in that hurried, worthless way one experiences a mistake–he could no longer get at.

Beginning to think is beginning to be undermined. Society has but little connection with such beginnings. The worm is in man's heart. That is where it must be sought. One must follow and understand this fatal game that leads from lucidity in the face of existence to flight from light.

But what am I? An infant crying in the night: An infant crying for the light: And with no language but a cry.

We are forlorn like children, and experienced like old men, we are crude and sorrowful and superficial—I believe we are lost.

Several times I asked myself, "Can it be that I have overlooked something, that there is something which I have failed to understand? Is it not possible that this state of despair is common to everyone?" And I searched for an answer to my questions in every area of knowledge acquired by man. For a long time I carried on my painstaking search; I did not search casually, out of mere curiosity, but painfully, persistently, day and night, like a dying man seeking salvation. I found nothing.

In a universe suddenly divested of illusion and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home or the hope of a promised land.

There are moments when, even to the sober eye of Reason, the world of our sad humanity must assume the aspect of Hell.

I could believe only in the hell I was living in, a hell on earth, and it was man-made, not God-made.

And worse I may be yet: the worst is not So long as we can say 'This is the worst.

Everybody knows how awful the world is and what a terrible situation it is and each person distorts it in a certain way that enables him to get through. Some people distort it with religious things. Some people distort it with sports, with money, with love, with art, and they all have their own nonsense about what makes it meaningful, and all but nothing makes it meaningful. These things definitely serve a certain function, but in the end they all fail to give life meaning and everyone goes to his grave in a meaningless way.

Darkness invades the dreams of the glassblower. Of all the unpleasantries his dreams grab in out of the night air, an extinguished light is the worst. Light in his dreams, was always hope: the basic, moral hope. As the contacts break helically away, hope turns to darkness, and the glassblower wakes sharply tonight crying, "Who? Who?"

I am continually trying to find meaning in the world. If we cannot find some ultimate significance or value in our lives, we fall very easily into despair.

And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn't matter. That all that does is that I want to see the worst

I don't belong. Not here. Not now. I have to get back there. The bet was rigged, he made me believe. Now there's darkness in my soul. I want to die . . . again. But I choose to come back, why?

The painting was framed in a misty view of sky, sea, and valley. Newt's painting was small, black, and warty. It consisted of scratches made in a black, gummy impasto. The scratches formed a sort of spider's web, and I wondered if they might not be the sticky nets of human futility hung up on a moonless night to dry.