Jean Dubuffet Quotes

If you're an artist, you want to draw from real life; you want to draw from experiences, emotion, and it's something that a lot of musicians juggle with. I've always found it so fascinating.

Sometimes, trying to make a work of art can be very difficult and very painful.

Painting to me is addictive. These are moments when it is inspiring, but they are few and far between. I keep my tools sharpened for the moment when things do start clicking, but that doesn't happen a lot. I really have to push myself sometimes. Painting is a profession in which it is very easy to be lazy, particularly if you have any degree of success.

If you're an artist, the problem is to make a picture work whether you are happy or not.

The study of beauty is a duel in which the artist cries with terror before being defeated.

Who knows better than artists how much ugliness there is on the way to beauty, how many ghastly, mortifying missteps, how many days of granitic blockheadedness and dismaying ineptitude there is on the way to accomplishment, how partial all accomplishment is, how incomplete?

Art is difficult. It's not always going to please everyone; it's not always going to work the way you want it to work.

To make large, site-specific work as an artist is usually quite tortuous; there are so many boxes you have to tick.

It's easier and sociabler to talk technique than it is to make art.

Painting allows me to use other portions of my brain pleasurably. Irony plays no part in what or how I paint. I paint the particular subject matter not to make polemical points but because I am interested in the human imprint on the landscape. I paint the landscape of my time and place with the stuff in it.

It's very inconvenient being a sculptor. It's like playing the double-bass; one's so handicapped by one's baggage.

Whats a gonzotic frenzy? Well its me in the throes of an ink splattering attempt to capture the feeling I have at that particular time.

A moment of complete happiness never occurs in the creation of a work of art. The promise of it is felt in the act of creation but disappears towards the completion of the work. For it is then the painter realises that it is only a picture he is painting. Until then he had almost dared to hope the picture might spring to life.

Poetry is like pooping. If there is a poem inside of you, it has to come out. Sometimes it can be really difficult and take longer than you'd like (it may even be painful), but other times it can be really easy and happen much faster than you expected. But either way - it is important, and it feels so much better when it's done.

If you study a great work of art, you'll probably find the artist was a kind of genius. And geniuses are different to you and me. So let's have no talk of temperamental, self-absorbed and petulant babies. Being a good artist is the toughest job you could pick, and you have to be a little nuts to take it on. I love them all.

Nature always resists the artist at the beginning.

Painting is like having a bad mistress who spends and spends and it's never enough ... I tell myself that even if a tolerable study comes out of it from time to time, it would have been cheaper to buy it from somebody else.

There are, it seems, two muses: The Muse of Inspiration, who gives us inarticulate visions and desires, and the Muse of Realization, who returns again and again to say, 'It is yet more difficult than you thought.' It may be that when we no longer know what to do, we have come to our real work and when we no longer know which way to go, we have begun our real journey.

Writers often write their best when they are feeling their worst

I know of no painless process for giving birth to a picture idea. When I must produce, I retire to a quiet room with a supply of cheap paper and sharp pencils; my brain knows it's going to take a beating.

Creative work is incredibly difficult, and that is where the tests lie. Ordinary professionalism and twenty years' experience can accomplish a lot, but it can't access the hidden places. That still needs what it always needs - a condition of complete simplicity, costing not less than everything.

The creative act arises out of the struggle of human beings with and against that which limits them.

Whatever the source of emotion that drives me to create, I want to give it a form which has some connection with the visible world, even if it is only to wage war on that world....I want my paintings to be able to defend themselves to resist the invader, just as though there were razor blades on all surfaces so no one could touch them without cutting his hands.

You'll need to suffer to make any real art.

A work in progress quickly becomes feral. It reverts to a wild state overnight. It is barely domesticated, a mustang on which you one day fastened a halter, but which now you cannot catch. It is a lion you cage in your study. As the work grows, it gets harder to control; it is a lion growing in strength. You must visit it every day and reassert your mastery over it. If you skip a day, you are, quite rightly, afraid to open the door to its room. You enter its room with bravura, holding a chair at the thing and shouting, "Simba!