Craig Horner Quotes

In 'Teen Wolf,' I don't really have any stunts. And if I do, it's like Stiles falls on the ground or something like that.

There were a number of people who helped me get there, and the one I always mention is Michael Byrne, the great master swordsman and brilliant stunt double.

Stuntwork... once, I've really only done one thing, which is take a punch and transport myself into the air onto a mat.

Since very early in my career, I have always did my own stunt fighting.

My son, Tony Vincent, is a stuntman. He doubles for Jim Caviezel on 'Person of Interest.' He works really hard.

I was the highest-paid stuntman in the world.

I don't want to sound like I'm bragging, but I know I'm the best stuntman in Hollywood.

On 'Angel' I got to work a lot with Mike Massa, who was David Boreanaz' stunt double, and Mike would let me do most of my stuff by myself. I did almost all my fight scenes by myself.

I was a stuntman for over fifteen years.

I don't do my own stunts, but I do my own fighting. I don't consider fighting to be a stunt.

For the most part, I do a lot of my own stunts. On 'The Final Destination,' they kept pulling my stunt woman in, and I'd shoo her away. I'm a black belt in tae kwon do, so I was adamant about doing stuff myself.

In the stunt world, fights and vehicles are often two different disciplines.

I'm kind of hard to double, but I did have one guy for a while as my double. I kind of like to do my own stunts, though, because it's just the overall experience. Sometimes you have to step aside when the stuff gets really dangerous, but I feel like sometimes you have to do your own stunts to make the role seem real.

Coming from an action background, I always approach the action sequences in any script as kind of placeholders.

I want to be able to do more of my own stunts and really be proficient with my weapons.

I'm an athletic actor. I'm known for my action; I'm a guy who does my own stunts on screen.

And getting stunt coordinator Dan Bradley and everybody from the whole 'Bourne Supremacy' crew, I think was real cool for our film because we do a bunch of really big jumps in this movie.

For ages, in my lunch hours, I would just go round and choreograph fight scenes. For fun. So now I'm very good at being thrown around. I bounce, in the words of my friends.

I love the physical roles. I have the utmost respect for stunt people and stunt doubles, but I like to do as much as I possibly can with what's become some pretty significant training.

I admit that I've been beaten up so many times in films, but we do not fake it - we actually have to fight when we shoot to make it real and to save film and time. Even the props that are not real, like the bats are plastic, but they're still very hard, so it still hurts.

I don't get a chance to do many of my own stunts on 'Buffy' - none of us do. We have amazing stunt people who make us all look really believable and really good.

But I loved doing the physical stuff for 'Dredd.' I have to give a shout-out to the stunt team that I worked with.

I do have a stunt double because there are certain things that they won't let me do. Like they won't set fire to me. They won't like let me jump off a 20 story building. There are certain big stunts that it's just impossible to get insurance to let me do, but for the most part I'd say I do probably 75% of my stuff.

I always thought of myself as an amateur stunt man.

Jen Murray, my stunt person, is totally comfortable getting thrown into a cabinet and onto the ground or getting hit by a car. I, on the other hand, am not. Nor would it look great on film, so she does it.