Boots Riley Quotes

I always felt like the Academy was very late in acknowledging things. I've seen them do it with hip hop when it should have been acknowledged. It was already penetrating mass levels of culture and radio, and yet they wouldn't give it a proper category.

Atlanta is a very good scene for the type of music I'm making. The biggest radio stations are all trap or rap stations. All the clubs are just based around this music and just the southern sound, that's what I really love about the city.

Atlanta is down south, the club. So the most thing played down there is club music. Everybody wants a hit.

In Vietnam, we can go and get big audiences, and we've been going there for so long. A lot of other hip-hop groups don't even go.

Motown wasn't just pioneering a sound but a cultural dynamic.

Thank you to Dr. Dre, Ice Cube, Universal Studios, and the Grammys for telling the story of what Compton was and is becoming.

Hip-Hop is bigger than the government.

It was the case in the 70s and 80s that people believed music could change the world. But now people aren't making music because they want to change the world; they're making music because they want to just make a ton of money.

The thing about the state of hip-hop is that people are too concerned. I don't think that there's a problem with being too concerned about videogames, especially for me, because I'm not in the industry. I'm just a consumer. But hip-hop is constantly like, "What are you doing for the scene?"

If anybody can make a change it's the rappers.

I've always done music to push people to get them to get uncomfortable in their seat so they could wrestle with things. Not to become pew potatoes, just simply sitting there, growing fat with knowledge and not applying it. It's a mixed tape that's really aimed and geared toward hip hop culture.

The people definitely shape the two, put stamps and classify mainstream and underground music.

Work in nightclubs was interesting. There were interesting people and places, but by and large, the commercial music experience.

I've been involved in a lot of different kinds of projects. I've been on straight hip hop tours. I've been on underground rock tours. I've been on multimillion selling rock shows. I've been in the jam band thing, and both commercial and underground hip hop. Very few people listen to one kind of music.

Those who have most at stake in the old culture, or are most rigid in their beliefs, try to summon people back to the old ideas.'

I grew up in that minority. I grew up in the South, in Roswell, Georgia, and it was heavily white, Baptist, conservative. And the idea that somebody would come there and say those things that I said created an atmosphere where some people would walk out, and suddenly they weren't in the minority. For an hour and a half, they were the majority. So I would argue that it does need to be said.

I believe hip hop is being used in some mass way to influence underachievement.

The people generally get accustomed to the established order of things and begin to tremble at the very idea of a change. It is this lethargical spirit that needs be replaced by the revolutionary spirit.

The project of organizing a democratic political movement entails the hope that one's ideas and beliefs are not merely idiosyncratic but speak to vital human needs, interests and desires, and therefore will be persuasive to many and ultimately most people. But this is a very different matter from deciding to put forward only those ideas presumed (accurately or not) to be compatible with what most people already believe.

It's a video world now, you know? It's not a musical world. It's a video world. I can watch videos. I see videos, you know, Britney Spears, she's sexy. I like to watch her videos. It's not like the music is what I'm hearing. It's different now. But it's not my world. It's the world of young people and they have what they want and they have what the technology and the society produces as a result of all these advancements that have occurred. And the in the future we'll have something else. Maybe we'll have holograms and, you know, all kinds of stuff.

He took comfort in the neon signs, the wild strands of jazz creeping out of clubs whenever happy swells of people pushed through the doors in their finery.

People wanted to move to America because of Michael Jackson. Industry changed, the music industry changed, because of Michael Jackson. That's a gift to us, and, you know, I am concerned that the Good Lord may not send another one because we did not take good care of him.

If you can change the way people think. The way they see themselves. The way they see the world. If you do that, you can change the way people live their lives. That's the only lasting thing you can create.

If you want to promote anything, all the work that you put into it is basically promoting the idea of it so that people will go for it. And if they don't go for it, you can't institute it. You can't do it.