Emma Stone Quotes

'The White Album' is so cool because it was around the time when the Beatles started to not like each other, so they would each go off and do their own thing. It's all over the place, but that's what makes the album so brilliant.

Right now my taste is going more for things that are organic where the people are using all the sonic possibilities in interesting ways.

I think, for me, the goal was never really for my EPs to go mainstream. I think the intention of them was to create a little bit of buzz and to show my musicality because I wrote and produced the EPs myself. The goal was to experiment, with no rules.

I'm proud that with 'Bright Eyes' we've always experimented and tried to make a different record every time out.

I'm amazed at how adventurous and how dangerous the music was, and still is. I haven't heard anything like it since. I'm quite surprised, because a lot of the music on there we never heard at the time.

Dylan doesn't have to make Blonde On Blonde every time.

I like to think of my style as pretty versatile. And I'd like whatever I record to reflect that to be mostly genre - to be just something that people want to listen on to see what I'm going to come up with next. That's the kind of music I'm into.

Anything that catches my ear, I'm into. Things that are different, that change what you're listening to.

With 'Acid Rap,' I allowed myself to be really open-minded and free with who I allowed into my musical space. I wanted to make a cohesive product, but I also just want to make a bunch of dope songs inspired by whatever sounds I liked.

I think there's quite a lot of cowardice in music. I don't mind if it goes wrong, I just want to go for it.

I make music with no boundaries.

Anything can become a musical sound. The wind on telegraph wires is a great sound; get it into your machine and play it and it becomes interesting.

I free-form it, rock n' roll it. I'm a creature of risk, so I don't know how I'm going to explore a Beethoven symphony until I'm doing it.

I was left with an urge to make the guitar sound like things it shouldn't be able to sound like.

I'm trying to do different music, and I'm trying to be out of the box.

I like to experiment when it comes to music.

I don't try to make one thing. I really try to experiment, even if its just the vocals or the beat. I can't really describe my sound.

As artists, we have the luxury of experimenting with extra crazy things, but I feel like my aesthetic is very street-style and high-low.

I like living on that edge, musically. I like a bit of insecurity and that feeling of not really knowing what's going to happen.

I don't want to be all over the place with my style and my music, but I am experimenting.

I grew up with so many different sounds, and 'Lost' allows me to express all of it, the melodic and the atonal.

We've been fairly eclectic in our time, and we did branch out. Whenever we got a little bit too far out, people started to moan and groan a bit.

I've never been one to just play safe music and think that's all there is to it.

When you say, 'Man, what kind of music does Outkast make?' You be like, 'They make Outkast music.' What kind of music does N.E.R.D. make? They make N.E.R.D. music. I want to be one of those people, because there's so many layers to the music I create that I don't want people to expect me to do one thing.

I spent my whole musical career trying to be different and make songs that people think shouldn't go together... go together.