Jack Antonoff Quotes

A lot of people who were the best in their fields. I was fortunate enough to be friends with Sammy Davis, Jr. - I spent a lot of time with Sammy. I was over at his house almost every night. Those people were very special and very special for me.

I never could get on with representative individuals but people who existed on their own account and with whom it might therefore be possible to be friends.

I've become friends with Michael Mann and Oliver Stone; I've seen those guys work and that was great to see.

You have to make a space in your heart, in your mind and in your life itself for authentic human connection.

I feel the same way when I meet somebody in Los Angeles, because I'm from Winnipeg. I'm just a very ordinary girl that something extraordinary happened to. So, I'll go to an event and, say, stand next to Charlize Theron and be like, "Oh my God! This is incredible!" And then you get to talk to her and you find out she's a real person. She's a mom and very interesting. I'm constantly thunderstruck by people that I admire.

All I can say is I've been reading the lips of bleeped-out words, angry baseball players, and stoned-out rock stars on awards shows for years and it's been hilarious. Everyone is always asking me what the bleeped-out parts are saying.

The most starstruck I've been is when I met Sol Campbell when he was a Tottenham Hotspur player. I don't get starstruck by actors I work with, because you have some sort of relationship with them. Like, I worked with Tom Cruise [on Interview With The Vampire], so if I saw him again I'd speak to him as an actor. Although he might not be interested in talking to me.

I'm blessed to be in an environment where people are sincere.

We will never regret the kind words spoken or the affection shown. Rather, our regrets will come if such things are omitted from our relationships with those who mean the most to us.

Our family may seem extraordinary in some magazines or something, but at home it's not. We're really just a very loving family. We're very close, and we don't read magazines. We just kind of go to work and come home. We try to keep a sense of reality into their lives. What's truly real, not Hollywood real.

I get very nostalgic for times and places and experiences, but I have a wonderful group of core friends and family who I love and adore, so I don't mourn the loss of any particular friendship. I think they're all part of a path, and the ones that really mean something are still important in my life.

One of our great allies at present is the Church itself. Do not misunderstand me. I do not mean the Church as we see her spread out through all time and space and rooted in eternity, terrible as an army with banners. That, I confess, is a spectacle which makes our boldest tempters uneasy. But fortunately it is quite invisible to these humans.

Relationships make me happy.

I would never go to a studio. I need my space, you know what I mean? I need to be able to chain smoke and pace about, cry and like... spit. Just make noise, make a huge mess. I also feel like if I was concerned for the cost of the studio - like, 'this is costing 40 dollars an hour' - I wouldn't be able to work.

Hospitality means primarily the creation of free space where the stranger can enter and become a friend instead of an enemy. Hospitality is not to change people, but to offer them space where change can take place. It is not to bring men and women over to our side, but to offer freedom not disturbed by dividing lines.

I think that autistic brains tend to be specialized brains. Autistic people tend to be less social. It takes a ton of processor space in the brain to have all the social circuits. I mean after all, the first stone spear was not designed by the totally social people.

I've met a lot of rock stars when they come to The Simpsons, and almost every one of them I get really freaked out.

Louise, I would gladly fire the past for you, go and not look back. I have been reckless before, never counting the cost, oblivious to the cost. Now, I've done the sums ahead. I know what it will mean to redeem myself from the accumulations of a lifetime. I know and I don't care. You set before me a space uncluttered by association. It might be a void or it might be a release. Certainly I want to take the risk. I want to take the risk because the life I have stored up is going mouldy.

For me, when you get to the Rock and Roll Hall of Fame, there's a side of me that goes, "What does that mean? Are you still relevant after that? Do they put you on the shelf along with the award?" I don't know, but that's the last thing we wanted.

I was at awards shows and felt really lost so it was good to play someone who was really lost.

If we merely try to impress people and get people interested in us, we will never have many true, sincere friends. Friends, real friends, are not made that way.

What do I want to express? The subject means little. The arrangement, the design, colour, shape, depth, light, space, mood, movement, balance, not one or all of these fills the bill. There is something additional, a breath that draws your breath into its breathing, a heartbeat that pounds on yours, a recognition of the oneness of all things.

The people who really have character make deep, unshakable connections to something outside themselves.

Lee Marvin was there at the same time, and I knew obviously it was his movie [Emperor Of The North], and Ernie Borgnine was playing the other part in the movie.I met Marvin there at wardrobe, and he said, "What are you doing for lunch?" I said, "Nothing." He said, "C'mon with me!" And he took me to the commissary. I walked into the commissary with Lee Marvin at 20th Century Fox, and he introduced me to people. He said, "This's Keith Carradine. We're doin' this movie together." He was so cool. I mean, my God.

You mean old books?" "Stories written before space travel but about space travel." "How could there have been stories about space travel before --" "The writers," Pris said, "made it up.