Kaya Scodelario Quotes

I was never very mature in my relationships with women. First sign of conflict, I was gone.

One thing that bugs me in comedy is when somebody does a fake cry, you know, like they fake cry in a comedy. But in a drama they'll really cry. That bugs me.

If you interview people or friends who work with me, they would say I'm private or internal or don't emote a lot. Yet I do it every day for 10 million people. I just don't do it for the 30 people I'm in the room with.

I'm an emotional guy, so I don't have to worry about a girl trying to get me to open up.

The distinctive feature of my family was intolerance of sensitivity and emotion - 'Everything's great, it all has to be great all the time and why do you have to spoil it?' Whereas probably the most fundamental and important thing to me has been defending my right to tell the truth about how I feel.

Real emotion is good - or doing a good job of faking real emotion.

What men don't want, in fact what anyone who's any sort of thrill-seeking, intelligent adult doesn't want, is some crushing bore describing their emotions in real time every waking hour.

Some relationships get easier as you get older, depending on what sort of person you are. I don't think I've got any better at them.

I'm really emotional. I don't fight with people - like, I can barely fight with my husband because I'll just start crying instead. I've learned not to do that.

I've got a lot of little quirks and moments that - my wife, she knows exactly what to say and how to handle me, 'cause I can be hard to handle.

A lot of the work I've done has been about being very raw and open with your emotions.

Even when you look at, like, movies with some of our famous celebrities, they don't really cry and bring out their tears until, like, forced.

I think when a man shows his true emotions, it's a really good indicator off what he is.

When you're good at controlling your own emotions, you can disguise your true feelings. When you know what others are feeling, you can tug at their heartstrings and motivate them to act against their own best interests.

A lie may fool someone else, but it tells you the truth: you're weak.

In love, anger is always false.

Mrs. Hopewell had no bad qualities of her own but she was able to use other people's in such a constructive way that she never felt the lack.

The feelings I don't have I don't have. The feelings I don't have, I won't say I have. The felings you say you have, you don't have. The feelings you would like us both to have, we neither of us have.

I've been in scenarios as an actor where you have to manufacture an emotion that's not really there, but it wasn't hard with Halle because she's a great person and very beautiful, so it ain't a tough job at the end of the day.

It ought to make us feel ashamed when we talk like we know what we're talking about when we talk about love.

I lacked some essential skill for attracting people, for giving and receiving love easily. It meant too much to me. I seemed to be driving away the people I most wanted. Finally I had realized that getting someone to love you was like trying to coax a bird to perch on your finger . . . it wouldn't happen unless you stopped trying so hard.

Women, when they have made a sheep of a man, always tell him that he is a lion with a will of iron.

It is easier to manufacture seven facts out of whole cloth than one emotion.

Intelligence makes sincerity difficult.

Suspicion may be no fault, but showing it may be a great one.