Anne Rice Quotes

I loved the idea of touching base with an audience.

It doesn't matter as long as there's interaction between me and the audience. That's why they come.

I don't know if I ever really considered making a connection with the audience.

I love connecting with readers!

My readers - and I get 400 emails for a day, my readers normally they say, well, you understand me, and I answer, you do understand me also. We are in the same level.

Once I found this possibility to use Twitter and Facebook and my blog to connect to my readers, I'm going to use it, to connect to them and to share thoughts that I cannot use in the book.

I don't try to communicate with my 'audience'. I don't bother with that any more. I used to try to have conversations with people, but it's futile.

I always try to get in the back of the audience because people really want to get close to me, and I want to get close to them.

I've always wanted to connect with my viewers but there's only so much you can do through commenting and tweets.

The trouble with her is that she lacks the power of conversation but not the power of speech.

If you're sitting across the table from someone, the geometry of the situation says 'confrontation.' If you're walking with somebody, you're heading in the same direction, and the spatial dance you're doing is a little more cooperative.

I love being in touch with my readers and fellow writers! It's just amazing to have such access to people.

The lifelong goal of an improviser is to listen to what the other person is saying, taking it in, and responding.

I suppose I don't hear things, but I listen, if you know what I mean. And there is a big difference between hearing and listening. So it's like a conversation, you know. When you speak to someone, it's one on one, and that's exactly how I play.

Part of the gestation of 'The Wall' was this business of alienation from the audience, and so the interesting thing was, what 'The Wall' eventually became was something that absolutely engaged the audience.

The thing I do, really, is a communication with audiences more than any achievement through records.

The good thing about Twitter is that there's not so much of a wall between you and your fan base. They can interact with you, and it makes them more endeared to you when you interact with them.

The good thing about Twitter is that there's not so much of a wall between you and your fan base. They can interact with you, and it makes them more endeared to you when you interact with them. It's really fun in that way.

In all of my career, the style is still the same, and that is of a friend, just sitting and talking.

I am so inspired by the people watching my videos and responding to them. I have learned so much from my community over the years and always love reading their feedback and their own personal stories that they share with me.

I love almost everything about my work except conferences. I am too shy in front of an audience. But I love signings and having eye contact with a reader who already knows my soul.

I really think that in the media world that we live in now, especially for writers, it has to be a conversation. With very few exceptions, it can't be this one-way, 'Here I am on the mountaintop preaching to all of you great unwashed readers in hopes of saving you.' It doesn't work that way.

It's one thing to hear that someone likes your show; it's a completely different thing to have them come take their time and film something with you on a sidewalk.

A lot of actors, you can't get them to shut up. Instead of listening and watching, they're always telling you something.

I just want to be able to communicate with my fan base.