Candace Bushnell Quotes

If I couldn't get published tomorrow I'd still be writing. It's something to do with feeling so overwhelmed by this experience of life that you have to tell someone about it, and in a way that reorders the experience to make it manageable.

Even when I think of writing fiction, it's being kind of a liar, a storyteller, a weaver, and there's that sense of how much of this is your life. The story is a way you unravel your life from behind a mask.

I just wanted to be a good comic and had no sense of show business, but at some point you want the opportunity to write a show about your life.

Years of my life were lived knowing that I'd get a book out of them one day.

Whether it's fiction or nonfiction, writing takes me to another world.

I've been writing, in one way or another, for as long as I can remember.

You know the way you tell your life story to a friend? I just told mine to a piano.

I write because I have authority from life to do so.

I don't know why I write. The honest answer is that I don't have an answer. I wouldn't die if I couldn't write fiction. Actually keel over and die - it's unlikely. But quite quickly writing has come to feel like the only thing I really know how to do. And I go a bit stir crazy if I don't write more or less every day. But that makes writing sound like a mood-regulator, a way to regulate anxiety or depression, and it doesn't really come down to that.

One of the difficulties of being a writer must be that you create drama that you can't live out. That's one of the wonderful things about acting.

You know, they ask me if I were on a desert island and I knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I'm creating an imaginary - it's always imaginary - world in which I would like to live.

I write because I want to have more than one life.

I continue to write. It's just one of those things that I do. I'll have periods when I write and periods when I don't. But you don't want it to become a discipline really. If it becomes a discipline, it becomes a chore and that's no good.

I love writing. I'm not particularly comfortable in the actual world - I'm much more comfortable on the page. So if I could have a life where I could just slip the pages under the door and somebody would slip me a meal back, then that would be perfect for me.

But I want to tell my stories, more than that, I have to in order to stay sane.

We all have a lot of people inside us, yet we get to live only one life. Fiction lets us slip into someone else’s skin, so to speak. That’s why we read novels, and also why we write them - to experience more life, through imagination.

I don't write because there's an audience. I write because there is literature.

The more closely the author thinks of why he wrote, the more he comes to regard his imagination as a kind of self-generating cement which glued his facts together, and his emotions as a kind of dark and obscure designer of those facts. Reluctantly, he comes to the conclusion that to account for his book is to account for his life.

The great thing about writing is, if you don't like the world, we'll create a different one.

I'm attracted to good writing. When I read the page and I know what we're after and where we're headed, and I'm fortunate enough to respect that idea and am able to pitch myself toward that, that feels like the culmination of everything that I've spent my life trying to do, since I played that tree in that play in third grade.

Mostly, we authors must repeat ourselves - that's the truth. We have two or three great and moving experiences in our lives - experiences so great and moving that it doesn't seem at the time anyone else has been so caught up and so pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before. Then we learn our trade, well or less well, and we tell our two or three stories - each time in a new disguise - maybe ten times, maybe a hundred, as long as people will listen.

When you're a writer, you have to write these stories, even if you don't get paid

Writing saved me from the sin and inconvenience of violence - as it saves most writers who live in 'interesting' oppressive times and are not afflicted by personal immunity.

I was young, and by instinct of self-preservation I had to collect my energy on something, if I were not to be whirled away with the dusk on the farm-roads, or the smoke on the plain. I begun in the evenings to write stories, fairy-tales, and romances, that would take my mind a long way off, to other countries and times.

Writing is almost a place of dreams for me, and I don't have to give up anything to do it.