Rob Zombie Quotes

Television is full of fictional and real violence that's turned into entertainment.

I intentionally shoot violence to make the audience feel real pain. I have never and I will never shoot violence as if it's some kind of action video game.

Some of my films are known for the depiction of violence. I don't have anything to prove with that any more.

Violence has been a part of films since the beginning of time. It's been a form of entertainment.

I don't like gratuitous violence. I don't like the 'Saw' movies. I don't like the 'Hostel' movies. I don't like anything that is violence for violence's sake.

The copycat effects of media violence, similar to those previously attributed to westerns, radio serials and comic books, are easy to exaggerate.

When I go see an R-rated horror movie, I want lots of violence.

I think the violence in 'The Hills Have Eyes' and 'High Tension' is much more traumatic than 'Piranha.'

The one thing that frustrates me more than anything else is that no studio has ever told me to tone down violence. They only ask you to make it more presentable.

It is so hard nowadays to find a movie that I like. I don't mind blood and gore. But I mind when its a slasher film, and its some guy looking for women. I am opposed to that kind of thing. Blood and gore? I love that kind of thing.

The intensive use of photographs by mass media lays ever fresh responsibilities upon the photographer. We have to acknowledge the existence of a chasm between the economic needs of our consumer society and the requirements of those who bear witness to this epoch. This affects us all, particularly the younger generations of photographers. We must take greater care than ever not to allow ourselves to be separated from the real world and from humanity.

I'm so sick of seeing guns in movies, and all this violence; and if there was going to be violence in Pines, I wanted it to actually be narrative violence. I wasn't interested in fetishizing violence in any way of making it feel cool or slow-motion violence. I wanted it to be just violence that affected the story.

Television is full of fictional and real violence that's turned into entertainment. It's an interesting phenomena and I tried to put it in perspective and tried to think through a few of the real questions that this sometimes unseemly business raises.

"Silence Of The Lambs" is definitely very frightening.

The soul in the darkness sins, but the real sinner is he who caused the darkness.

Child pornography is taboo. There are really no such things as snuff films. That's a legend. But movies are like pieces of dreams, and we don't need to go into those dreams. Those dreams are beyond. Child pornography - it's horrible. Human suffering is a horrible thing in real life.

I think you should know that real-life white people are not all as funny as the ones on 'Seinfeld'.

Every marriage has two hearts, one light and one dark

I like violence to be upsetting. The only reason to do it subtley is if doing it subtley makes it more effective somehow.

There is no dark side of the moon really. Matter of fact it's all dark.

Real power comes when we stop holding others responsible for our pain, and we take responsibility for all our feelings.

We cut these numerous windings in our destinies daily with our own hands, while we imagine that we are pursuing a track on the royal high road of respectability and duty, and then complain of those ways being so intricate and so dark. We stand bewildered before the mystery of our own making, and the riddles of life that we will not solve, and then accuse the great Sphinx of devouring us.

You have this certain about of responsibility to play a fictitious character and you have a script that's guiding you and the other information of the custom department's choices, and the set department, "Where are you," and all those other pieces of information but you have to cull from your imagination the answer to all the unasked questions. And with a real person, there's someone to get that information from, perhaps.

I always feel like I am on the dark side of the tracks. I feel I'm no good. I can't read.

Come to the dark side. We have cookies.