John Dos Passos Quotes

The thing is, when you take photographs, you meet a lot of people but you don't actually know anybody. It is very quick, in and out, in a concentrated way.

I think sometimes in the focus on deep friendships and on romantic relationships, we can lose sight of how important the small connections we make are with strangers and with people that we may encounter for just a few seconds or a few minutes, whether it's the barista at our coffee shop or the stranger next to us on the subway.

There are people who come into our lives as welcome as a cool breeze in summer- and last about as long.

I hate how the people who really get you are the ones you can never hold on to for very long. And the ones who don’t understand you at all stick around.

You know what it's like. Sometimes, you meet a wonderful person, but it's only for a brief instant. Maybe on vacation or on a train or maybe even in a bus line. And they touch your life for a moment, but in a special way. And instead of mourning because they can't be with you for longer, or because you don't get the chance to know them better, isn't it better to be glad that you met them at all?

Ships that pass in the night, and speak each other in passing, only a signal shown, and a distant voice in the darkness; So on the ocean of life, we pass and speak one another, only a look and a voice, then darkness again and a silence.

Lavina led me to an abandoned warehouse. I think that at some point someone decreed that all clandestine meetings must be held in one. Woe to the criminal overlord who lives in a city thriving with commerce, with no empty warehouses to be found. He probably needs to build one, just to have a place to arrange late-night meetings. (Bewitched)

I have had, and may have still, a thousand friends, as they are called, in life, who are like one's partners in the waltz of this world -not much remembered when the ball is over.

Don't get me wrong, I think "Portlandia" is really funny, and quite brilliant, but I like to be in a city where I can hang out in Powell's Bookstore most nights and go out with my friends in a liberal, relaxed atmosphere. I wish more cities were like that.

I think most of us can remember from our own childhood, just in the Disney cartoons, things that frightened us profoundly. For me it was Bambi, the scene when the forest was on fire. That was something I had nightmares about. I can't imagine being a little kid of eight and seeing Night Of The Living Dead with living corpses eating the flesh of living people.

No, friends were like clothes: fine while they lasted but eventually they wore thin or you grew out of them.

The people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping...something runs among them, an exchange of glances like lines that connect one figure with another and draw arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene.

Chance acquaintances are sometimes the most memorable, for brief friendships have such definite starting and stopping points that they take on a quality of art, of a whole thing, which cannot be broken or spoiled.

Sometimes we'll only see each other in passing, like ships passing in the night.

These people you used to see every day, friends or acquaintances, after a while they become as distant as any stranger, people you suddenly recall late at night--you remember something they said or something silly that someone once did. For a few moments they completely occupy your mind; then you forget them again.

Don't forget you're alive. 'Cause sometimes when you walk around the city and you're in a bad mood, you can think, hey, wait a minute, we're alive! We don't know what the next second will bring and what a fantastic thing this is. This can get easily forgotten in the routine of life, and that's something I'm trying to bring to my attention at all times. Don't forget you're alive. We're not dead, you know. This is the greatest thing.

I think when you see [Donald] Trump in person, my reaction is you kind of enjoy it. It's kind of an enjoyable night out.

It's just weird because like when I was writing Cry Baby I like...the only thing that I was thinking about, when writing it, was the concepts and the visuals, and the way that it sounded kind of happened naturally.

Sometimes I think of Paris not as a city but as a home.

Actually I think 'A Midsummer Night's Dream' could sit very very perfectly in the middle of a Disney world I think.

I cant think of anything more humiliating than losing a ballgame to a guy who steals home on you. It happened to me one time against Kansas City. I had a 2-2 count on the hitter - and Amos Otis broke from third. The pitch was a ball and slid in safe. I felt like a nickel.

I think Paul Sarbanes and his wife Christine socialized with them [George and Heather Mitchell] more than I did, but we all hung out, or we saw each other in groups.

When did "sentimental" become a pejorative barb? I do not at all share the notion that a piece of music, or a poem, or a film that bypasses the brain and aims straight for the heart . . . should automatically be heaped with scorn. I think it is symptomatic of a sad and dangerous impoverishment of spirit.

I find it very difficult to do anything on my own now because people recognize me. This has never happened to me before because I haven't really done television before. But I suppose if you're in people's rooms all the time, I don't know - I was thinking the other night with people like DiCaprio and, you know, those big stars and Cate Blanchett, and you just think how did they exist? It's so difficult. And I think now it's very intrusive because of these cellphones, you know, with cameras.

In music I still prefer the minor key, and in printing I like the light coming from the dark. I like pictures that surmount the darkness, and many of my photographs are that way. It is the way I see photographically. For practical reasons, I think it looks better in print too.