Bella Thorne Quotes

It's a massive undertaking putting an album together... It's not light weight at all.

Making an album is always a puzzle: you start by seeing a lot of different pieces, and they all need to come together into one picture.

Making an album is a long process, but it's a fun process.

I like to make great albums.

Usually, when you go in to make a record, you have 30 songs, and you record 30 of them, and 12 of them make it to the record.

The actual making of a record is the most exciting part of this business.

The records I make, I'm there from the writing of the first note through the click tracks to the miking of the drums to the editing of everything to the production to the vocals to the artwork.

A lot of getting a song done is booking the studio time.

I've always wanted to produce a whole album for an artist.

When I make albums, I do a lot of songwriting but not necessarily a whole album.

I write songs; I record them. When I get enough, and it seems like a coherent piece, I call it an album.

Making records is hard work.

I never liked making albums.

My first album was completed in three months.

I had 25 or 30 songs. Sequencing the record, I left that to the producer. I'm not into doing that stuff.

I usually make records very quickly. I usually go in and record them and mix them, and I'm done within a couple of weeks.

I write the songs, go in and record them, then I listen to everything and decide how it all fits together.

All my writing takes place during the recording of the master tapes. I never do have songs when I start up an album. I actually write them while I record.

I am always thinking about records I want to make.

When you record an album in six days, you don't have time to work out a lot of stuff.

For us, we make a song, and if we like it, it goes on a record.

For every album we worked on, I brought in reels of tape of somewhere between fourteen and eighteen songs - some of them completed, with lyrics and melodies, some of them basic tracks. Things came out of those products. Like, for 'Hotel California', I think I had a reel with sixteen songs on it.

An album takes a lot of work and energy and dedication to make.

For 'Twisted Fantasy,' I probably spent 180 days in the studio.

All day long you write little ideas on the piano and the guitar, but sometimes all you have to do is come in, set up the mic, press record and start the process.