Joe Meno Quotes

Culture is the silent killer of innovation.

I think that other people covering my work is really exciting... Im really open to that kind of thing because I think interpretation is an art form.

You think you've made something really great, but there's a reason why it's not resonating the way some previous work did. But it's not that easy to just replicate. Some people think, "Oh, just go do that thing you used to do before." But it just doesn't work like that. It's a lot more mysterious or slippery.

I don't think in art there is ever a precedent; each moment is a new one and terrifying and threatening and bursting with hope.

I think that creativity depends on having sufficient indeterminacy around for a new pattern to arise up within it.

I don’t think the shortage of artists has much to do with the innate ability to create or initiate. I think it has to do with believing that it’s possible and acceptable for you to do it. We’ve had these doors open wide for only a decade or so, and most people have been brainwashed into believing that their job is to copyedit the world, not to design it.

Shall we for ever make new books, as apothecaries make new mixtures, by pouring only out of one vessel into another?

Designers + artists see potential in things where others do not. I think artists in many ways are the original entrepreneurs.

I realize that we all do express ourselves, but those who express that which is always being done are those whose thinking is almost in every way in accord with everyone else. Expression on this basis has become dull to those who wish to think for themselves.

What makes someone an artist? I don't think is has anything to do with a paintbrush. There are painters who follow the numbers, or paint billboards, or work in a small village in China, painting reproductions. These folks, while swell people, aren't artists. On the other hand, Charlie Chaplin was an artist, beyond a doubt. So is Jonathan Ive, who designed the iPod. You can be an artist who works with oil paints or marble, sure. But there are artists who work with numbers, business models, and customer conversations. Art is about intent and communication, not substances.

To have ideas one must have imagination. To express ideas one must have science.

I set out to show that there exists single creative activity,which is displayed alike in the arts and in the sciences.It is wrong to think of science as a mechanical record of facts, and it is wrong to think of the arts as remote and private fancies. What makes each human, what makes them universal, is the stamp of the creative mind.

I've been joking that if Madonna taught us anything, you've got to reinvent yourself. I think it's important as a filmmaker, as any person working in the arts, that you've got to try new stuff and challenge yourself and take chances. I've tried to take a chance with every film I've done - I've never done it the easy way, and I think that's because that's what excites me, is making as big a mountain as I can in front of me, and just trying to mount it.

There are so many rules in the art world. I don't like rules and I break them all the time. I don't care if people think I'm overexposed. What I care about is if I'm going to run out of energy. Overexposure is only a problem if you are drained of energy and cannot come up with new ideas. Every artist has to recognize that and know when to stop for a moment.

I think something happens with age. And I find this really a lot in what I read from certain art critics: For people who are all about change-people who are supposed to be intellectually and culturally drawn to the idea of change and how the voice of a creative person affects the world on a bigger scale than just the canvas-I would expect a person in that position to have that open mind. It's only a sign of age that they become so locked in their own rules that they forget that this is what it's all about.

You've really got to get down on the floor with yourself and get low in order to make great art. I think you've just got to accept who you are and do the most unbelievable things.

To be perfectly original one should think much and read little, and this is impossible, for one must have read before one has learnt to think.

It is with epigrams as with other inventions; the best ones annoy us because we didn't think of them ourselves.

The only enemy of art is taste.

Sometimes listening to music can motivate you. It can. But if you're a musician, that isn't always the way to get new ideas because you don't want to take somebody else's ideas. You need to find your own. So if you go to different artistic mediums, whether it's dance or it's visual arts or films or books, stories, sometimes it gets you hearing things, hearing progressions that you wouldn't come up with if you were just listening to other music because you don't want to copy progressions you've just heard.

We need radical thinking, creative ideas, and imagination.

Once a new idea springs into existence, it cannot be unthought. There is a sense of immortality in a new idea.

Where there is creativity, there is hope.

Here's the truth you have to wrestle with: the reason that art (writing, engaging, leading, all of it) is valuable is precisely why I can't tell you how to do it. If there were a map, there'd be no art, because art is the act of navigating without a map. Don't you hate that? I love that there's no map.

The mind is a strange machine which can combine the materials offered to it in the most astonishing ways.