Emma Caulfield Quotes

The stunt team were great on 'Defiance.' They were there, every day.

I would like to be able to do as many of my own stunts where I can.

Stunt people are amazing at what they do, but they're not actors.

And getting stunt coordinator Dan Bradley and everybody from the whole 'Bourne Supremacy' crew, I think was real cool for our film because we do a bunch of really big jumps in this movie.

I love the physical roles. I have the utmost respect for stunt people and stunt doubles, but I like to do as much as I possibly can with what's become some pretty significant training.

I do most of my own stunts because the stunt guys show me how.

But I loved doing the physical stuff for 'Dredd.' I have to give a shout-out to the stunt team that I worked with.

I do have a stunt double because there are certain things that they won't let me do. Like they won't set fire to me. They won't like let me jump off a 20 story building. There are certain big stunts that it's just impossible to get insurance to let me do, but for the most part I'd say I do probably 75% of my stuff.

For the most part, I do a lot of my own stunts. On 'The Final Destination,' they kept pulling my stunt woman in, and I'd shoo her away. I'm a black belt in tae kwon do, so I was adamant about doing stuff myself.

In 'Teen Wolf,' I don't really have any stunts. And if I do, it's like Stiles falls on the ground or something like that.

Jen Murray, my stunt person, is totally comfortable getting thrown into a cabinet and onto the ground or getting hit by a car. I, on the other hand, am not. Nor would it look great on film, so she does it.

If you really get into a particular character, you also want to do your own stunts.

It never occurred to me that being a stunt girl would get me recognized in any way, because the whole purpose of a stunt person is to not be known.

I hope to be remembered for mentoring the future generation of stuntmen and fighting for the rights and respect that stuntmen and stuntwomen deserve for their contribution to the world of moviemaking.

To do all your own stunts, you have to be so strong.

When you're fighting with a stunt person, your intent is to miss.

I try to stay in the best physical shape that I can because I do most of my own stunts. It looks amazing if you can do it, but I don't advocate it because you always get injured.

I do some of my stunts for the things I have learned. But if it is for something I have never learned, then I use a double.

I'm a great believer in stunt doubles. They do an amazing job.

In the stunt world, fights and vehicles are often two different disciplines.

I would love to do my own stunts, but stunts are not something I have a lot of experience with.

I have no problem telling people I have a great stunt double. I'm not that guy who's like, 'I do all my own stunts.' Like, no, no, no - it's make-believe, and I'm not in the mood to die. I'm not in the mood to get hurt. I have a wife and kids!

As a stunt girl I've done most varieties of female fight action.

As far as I know, there is only one other director who was a stuntman - guy named Chuck Bail who directed 'Gumball Rally.' Doing stunts isn't exactly a common path to directing.

I was the highest-paid stuntman in the world.