Elisabeth Moss Quotes

A good love story always keeps the pot boiling.

This thing called chemistry, which I can't define and wouldn't know how to, either works or it doesn't. Sometimes a love story can involve very talented actors, but we are not invested emotionally in whether they end up together.

We can take it slow," he said. "You can learn to be with me. Find out what I'm all about. You never know, you might like what you find." "Don't hold your breath," she said. He stepped toward her casually, amusement flickering around his lips. She tensed, her eyes checking for a way to run. "Or..." His hand lashed out, grabbed her, and whipped her into his arms, where he held her tight. "We can take it fast and rough.

To win a woman in the first place you must please her, then undress her, and then somehow get her clothes back on her, finally, so that she will let you leave her, you've got to antagonise her.

In a romantic comedy, it's usually a good idea to have people who can't stand the fact that they are attracted to each other.

A love story, at least a convincing one, requires three elements - the lover, the beloved, and the adventures they have together.

Compatibility is weird. Love is confusing. Love is one wild beast.

When a man and a woman see each other and like each other they ought to come together - wham - like a couple of taxis on Broadway, not sit around analyzing each other like two specimens in a bottle.

I'm not very good at dating. I'm very decisive. If I like someone, then they're my boyfriend. It's pretty straightforward.

I think, for a love story, the most important element is the music, since you don't have action sequences or item numbers. It really draws in the audience and adds to at least 70 percent of the opening of the movie.

Every love story needs a catalyst of some sort.

I never analyze why I was with one woman instead of another.

Every movie is a love story.

Humor in a relationship is so important. Many women will say that. Some say, 'If they can make you laugh, it's the sexiest thing on earth.'

Action, reaction, motivation, emotion, all have to come from the characters. Writing a love scene requires the same elements from the writer as any other.

The relationship between an actor and a director is like a love story between a man and a woman. I'm sure sometimes I'm the woman.

You very seldom see a picture where you watch the process of falling in love.

I just like that dynamic in relationships in movies where they're kind of lovers as rivals, you know?

I love how deceptively simple 'love interest' is, you know? Because it encompasses quite a lot, when you think about it.

For reasons which I can't logically explain, in all of the films I've done, I've ended up doing love stories of one kind or another, and it seems to me that love stories are extremely dependent on the obstacles you can place between the lovers. There is no love story without it.

In a romance novel, the core story is the developing relationship between a man and a woman. The other events in the story line, though important, are secondary to that relationship.

I think exciting sexuality is part of the fantasy, part of the entertainment of a love story.

At the end of the day, we all want to fall in love.

The most important thing in a love story for me is the intensity and passion that my lead actors bring into playing their characters.

It's fun to solve a mystery, but it's even more fun to watch two people kind of dance around a relationship and be playful with each other.