Lena Waithe Quotes

As a biracial girl growing up in England, I'd never really seen any historical characters who looked like me depicted on film before that weren't being brutalized or playing slaves.

In my time since moving to the United States, I've found that there is a dearth of great writing for black people. There are stories that depict us in a way that isn't cliched or niche, and that a white person, a Chinese person, an Indian person can watch and relate to. Those are the stories I want to be a part of telling.

When I was a kid, it wasn't very often that I could go to the movies and see an entire movie carried on the shoulders of someone who looked like me.

I don't know what gives me more pleasure: watching my story unfold or going in and watching a room full of black people talking for me and writing words for black people.

It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted towards the niche market, which is, like, a black movie is created, and it's produced and pitched so that only black people will watch it.

Black girl stories aren't just for black girls: they're for everybody.

You rarely see a musical being told about the life of a black woman.

I just want to tell black stories.

I hope to see more Latino stories on television - not just on a personal level, but for us in the industry. We shouldn't just exist when a show is attempting to be diverse. We have good stories, and we are worth it.

I look for us - people of color in Hollywood, to create more stories as writers, directors and filmmakers, creating more opportunities for ethnic actors. At the end of the day, we have to be the ones giving jobs and telling the stories, not just waiting to be hired.

I read everything, but particularly, growing up in a household where my mom was black and my dad was white, I remember really loving 'Ebony' and 'Essence.' Those magazines were the only place where I could see images of women who looked like me or my mom.

I think diversity has to happen on a storytelling level, not just on a casting level.

I'm not saying that we need more stories about people of a certain age, we just need more great stories about people.

You have to understand being an actress, and being an African American actress of a certain hue, I think that you have to be bold with your choices. Even when you're not bold with your choices, have people see it as bold.

I’m a black woman who is from Central Falls, Rhode Island. I’m dark skinned. I’m quirky. I’m shy. I’m strong. I’m guarded. I’m weak at times. I’m sensual. I’m not overtly sexual. I am so many things in so many ways and I will never see myself on screen. And the reason I will never see myself up on screen is because that does not translate with being black.

What I want to do is create great content on television and movies. It is not my role to program only for Latinos, and you can't really assume that Hispanics only want Hispanic content. But I do think that we are severely underrepresented in television and film. And instead of complaining about not seeing ourselves, we should become film producers, directors, and writers, and tell our story.

I think black people have to be in control of their own image because film is a powerful medium. We can't just sit back and let other people define our existence.

I started a production company out of necessity, the need for great narratives for actors of color.

I've heard that Black people and Black faces don't sell magazines, but one day you're going to beg me to be on there.

If you go to a network and say, "I wanna do prison stories about black women and Latino women and old women," you're not gonna make a sale. But, if you've got this blonde girl going to prison, you can get in there, and then you can tell all the stories. I just thought it was a terrific gateway drug into all the things I wanted to get into.

I look in the eyes and I see the heart. As long as it's a human story. I would like to turn on my television and see African American, Hispanic, Asian as well as Caucasian. And I think there are probably more people like me.

A lot of times I don't know if I trust the director to tell that film's story. Or I think it's inappropriate for a male director to tell a female story, or a white director to tell a black story. Everyone walks away from a movie differently, because you're relating it to your own life.

I think it's such open game to make fun of myself. First of all, as a white rapper you have to have an angle and not try to be ghetto or anything. You can count on one hand the white rappers that have made it.

When I was growing up, I didn't see me in the movies except in certain lesser roles. If it wasn't funny, I wasn't there. Then Sidney Poitier came along, and he wasn't funny. He was just good. There's me. So that was my pattern.

First and foremost, I want people to have a good read, because I want everything I write to entertain people. There are always different layers to the story, though, so if you want to think about social justice, or sexism or racism or homophobia, or really drill down into why the world is a better place when the police force looks like the people they are policing, then that's there, too.