Brian Eno Quotes

I don't think anyone would bat an eye if I wrote a song.

I definitely like the oddballs. There's a song called 'Little Thing,' which is the only song that I have recorded that has no words. And it's the one that I get past my critic inside me.

Ke$ha is her art; there is no curtain you peel back to find the real person. And with Ke$ha, you never know what to expect when you're in the studio.

That's what I love about our music - it'll never be a hit because you can't dance to it.

I'm not necessarily a happy singer. That's not who I am as an artist.

It's much easier for me to say that, the kind of music I didn't listen to was pretty much that. I mean everything, from jazz to classical to popular. And Tibetan horns were a great part of it in 1966, '67.

Silence has sometimes a remarkable power of showing itself as the disembodied soul of feeling wandering without its carcase, and it is then more impressive than speech.

You've got to sell your heart, your strongest reactions, not the little minor things that only touch you lightly, the little experiences that you might tell at dinner. This is especially true when you begin to write, when you have not yet developed the tricks of interesting people on paper, when you have none of the technique which it takes time to learn. When, in short, you have only your emotions to sell.

If we're lucky, writer and reader alike, we'll finish the last line or two of a short story and then just sit for a minute, quietly. Ideally, we'll ponder what we've just written or read; maybe our hearts or intellects will have been moved off the peg just a little from where they were before. Our body temperature will have gone up, or down, by a degree. Then, breathing evenly and steadily once more, we'll collect ourselves, writers and readers alike, get up, "created of warm blood and nerves" as a Chekhov character puts it, and go on to the next thing: Life. Always life.

The words ‘I Love You’ kill, and resurrect millions, in less than a second.

The heart of change is in the emotions.

Nothing sorts out memories from ordinary moments. It is only later that they claim remembrance, when they show their scars.

I think that music is still a mystery to most people. It kind of goes through most people without a specific thought. They feel the music, which is what's supposed to happen. They're not supposed to be curious about who wrote the music; they're supposed to feel what the show is trying to get them to feel. So if I help get that feeling across, that's good enough for me.

I loved Rushmore. I loved the script. I mean, that is what drew me to it, just the actual piece of literature the script is. But I never thought in a million years that anyone would see it or respond to it. It was an absolute joy that it was so loved and continues to be. The same with The Sixth Sense. I thought, "No one's going to watch this. Bruce Willis hasn't got a gun. There's no shagging. Lovely story, sweet and profound about loss and death, but no one's going to watch this."

I do want to say things in these films. I want audiences to come out with shards stuck in them. I don't care if people love my films or walk out, as long as they have a strong response.

Any play that makes an audience think out of the box, that makes connections to life and names our pain and by doing so makes our pain subject to thinking and the process of understanding, is doing something inherently political. By promoting understanding, by putting experience in context, by making connections between the normal and the rational, theatre is an act of anti-terrorism. It stimulates courage and a survival spirit. In that sense of political, there are a lot of serious plays doing their work in the world.

The photograph is literally an emanation of the referent. From a real body, which was there, proceed radiations which ultimately touch me, who am here; the duration of the transmission is insignificant; the photograph of the missing being, as Sontag says, will touch me like the delayed rays of a star.

Poetry is the liquid voice that can wear through stone.

Music is a spiritual doorway its power comes from the fact that it plugs directly into the soul, unlike a lot of visual art or textual information that has to go through the more filtering processes of the brain.

The mechanism she employs is much more powerful than ours, for all her levers move the human heart.

When you write a great song, it just blows you away. When you write a song that connects with people around the world - I mean like it actually transcends language barriers - you see how it can affect people, and it's quite a tall order to follow up on.

If I'm walking down the street and someone stops me and says, "Oh! A song that you wrote meant a lot to me, and I listened to it after I went to my sister's funeral," that's when it hits me.

By whatever means it is accomplished, the prime business of a play is to arouse the passions of its audience so that by the route of passion may be opened up new relationships between a man and men, and between men and Man. Drama is akin to the other inventions of man in that it ought to help us to know more, and not merely to spend our feelings.

She was truly a beautiful girl. I could feel a small polished stone sinking through the darkest waters of my heart. All those deep convoluted channels and passageways, and yet she managed to toss her pebble right down to the bottom of it all.