I didn't learn the word 'genre' until way, way late - I mean, like, in the '80s.
I didn't know what the word 'genre' meant till I was twenty years old.
As far as I am concerned, I write novels, and other people can do the labelling.
There's no such thing as the contemporary novel. Before I seem the complete reactionary, let me add that I've happily joined in many discussions about 'the contemporary novel' where what that usually, unproblematically means is novels that have appeared recently or may appear soon.
I don't really classify 'Wichita Lineman' as country.
I love the idea that all genres can have subsets.
We live in a media soup and are constantly being programmed or are fighting that programming. Thus any truthful account of a life, every part of a life, is about society as well as an individual.
My films have always had an element of immediate autobiography, in that I shoot any particular scene according to the mood I'm in that day, according to the little daily experiences I've had and am having - but I don't tell what has happened to me. I would like to do something more strictly autobiographical, but perhaps I never will, because it isn't interesting enough.
A piece of cloth that is called "linen" has more validity than calling you and me "black" or "negro." "Cotton" has more validity as cotton than yours and my being "black."
What I have written is but a fleeting intimation of the outside of what one man sees and may tell about the path he walks. No one shares the secret of a life; no one enters into the heart of the mystery.
Call yourself and define your relationship to your chair the way you want to, or your disability the way you want to.
Personal inspection at zero altitude. The stories come from my life - if not my own experiences, then about topics and subjects that interest me.
I'll be at Lambeth telling my story
Mine (story) ain't the scariest, the clearest, the most painful, or the most beautiful. It just happens to be the one that's got it's fingers around my throat.
Know your genre. Know your history. Read a book.
What did I think of Princeton? Well, the answer to that question requires a story. When I first arrived, I looked around me at the Gothic buildings - younger, I later learned, than many of the mosques of this city, but made through acid treatment and ingenious stone-masonry to look older.
All these ways we classify things as R&B and hip-hop and rock... It's bullshit. It's all music. If you put yourself in that box, then you won't be able to hear that it's all music at its soul.
Many errors, of a truth, consist merely in the application of the wrong names of things.
I think punk, pop-punk, and rock music is all meshed together and I think good music is good music.
Naming is like putting a stamp on something and fixing it. A kind of formaldehyde sort of fixation, but it becomes dead, sitting there forever, frozen. So, I'm not a great one for these modernist, post modernist, post colonial labels. I think they serve certain purpose. You do need some kind of sign post here and there, but it can also become an end in itself.
There is no reason why people should not call themselves Cubists, or Octagonists, or Parallelopipedonists, orKnights oftheIsoscelesTriangle, or Brothers of the Cosine, if they so desire; as expressing anything serious and permanent, one term is as fatuous as another.
By telling my own story, I hope to help remove the stigma. It never should be something to hide.
There's no division on my bookshelf between fiction and nonfiction. As far as I'm concerned, fiction is about the truth.
Calling a tail a leg does not make it a leg.
Biography is history seen through the prism of a person.
All writers steal from their own lives.
Dianne Elizabeth Reeves is an American jazz singer.