Tim O'Brien Quotes

I began writing fiction when I started running out of material in my own life.

I love rewriting because that is where and how you discover the story. It's like you have this skeleton, and you get to put flesh on it and hair and clothes and really wonderful jewelry.

I started off doing fiction in 1993. It didn't occur to me to do nonfiction because it wasn't a thing yet. So I was bumbling around, writing short stories, and then I took a nonfiction workshop, and I realized that this was what I was supposed to do.

I always say that, for me, writing a book is like a wacky Greyhound bus trip - I know where I'm starting and where I'll end up, but I have no idea what will happen along the way.

There comes a point when you're writing a novel when you're in it so deep that the life of the novel becomes more real to you than life itself. You have to write your way out of it; once you're there, it's too late to abandon.

Of course, all writers draw upon their personal experiences in describing day-to-day life and human relationships, but I tend to keep my own experiences largely separate from my stories.

Like most writers, I write about what has happened to me as that involves the minimum amount of research.

A lot of new writers assume you have to know the where the story is going and that it flows out as molten gold. But really, sometimes you think you are going to one place, but then you decide that is dumb idea. Then you go somewhere else and it is a worse idea. But then you switch again and you might have a beautiful accident.

I started writing because I wanted to write scripts, but I wasn't very good at it. Then I started writing short stories, sort of as treatments for the film scripts, and I found I enjoyed writing short stories far more than I enjoyed writing film scripts. Then the short stories got longer and longer and suddenly, I had novels.

It's a discovery of a story when I write a book, a case of inching ahead on each page and discovering what's beyond in the darkness, beyond where you're writing.

I love sitting at my desk and facing a quiet day with a pen in my hand, and putting myself into a story. It's kind of weird, isn't it? I mean, to absent myself from real life and make up stories is strange, but I started doing this when I was ten years old. It was all I wanted to do.

'The Secret Life of Bees' was my first novel, so I had no process. I was flying by the seat of my pants, as they say, trying to understand how I, as a novelist, would work with story.

I loved writing fiction. I mean, once I found the character, or the characters, and knew who they were and knew their back-stories, it really - I mean, I went into my studio every day, thinking, 'What's gonna happen to Billy today?'

When I started writing 'A Million Little Pieces,' I felt like it was the right story with the style I had been looking for, and I just kept going.

My most successful books, the ones that I feel the strongest about, are the ones that started with a premise that for me was deeply emotional.

My novels aren't really generated by a single conceptual spark; it's more a process of many different elements that come together unexpectedly over a long period of time.

I had no plan to write a western novel, and when I realized it was happening, I was pretty surprised by it. But you have to go with what feels right.

You're on your own with the book. And while you are writing fiction, you're spending all this time with people who don't actually exist, which is just madness.

I don't know exactly where the ideas come from. One day, a sentence just popped into my head - 'There was going to be trouble, and, hell, he just wasn't in the mood for it' - and I knew I had a novel.

I lived in Boston for three years, and during that time, I wrote my first collection of stories, 'What the World Will Look Like When All the Water Leaves Us;' other stories that didn't make it into the collection; and several failed novel openings.

Often what happens with the writing is that you know where you want to start and you know where you want to end, but the journey is never quite what you predict because the characters take on a life on their own.

I always have a rough outline, but I'm shocked at how little I actually follow it. Those characters keep doing things that I never expected. I think if I crept up to my keyboard and peeked, they'd be talking about things behind my back. Okay, that's a little paranoid and delusional... but just a little.

When I write, I try to capture one of those pivotal moments. If I succeed, I have shifted the reader's view of the world, just a little. The character is not the only one to experience change. That is my job, shifting perceptions, one story at a time. The trouble is, I don't like writing. But I love having written.

My novels come from within me; they are things I feel I want to do.

I wrote 'Ava Wrestles the Alligator' when I was 22 or 23. These people and that world have been evolving in me for a while. It's such a shift not to be in that world.