Su-chin Pak Quotes

Our focus is still on country, but, really, on whatever music our artists are making.

I may just keep releasing singles 'til I run out of music, which is kind of cool in a way - as long as people don't go, 'Oh my God, not another one!'

We could play them through the week, and then the weekend we could play the black joints. I learned to be very versatile and learned to love it. So it stays with me even up to now.

As a music supervisor, you learn to embrace the best of every genre, and I really have to say there's nothing that I'm embarrassed of.

I listen to all kinds of music - new music, old music, music of my colleagues, everything.

The great thing about Gospel is that you don't have to have an album every year in order to keep working.

I'm at a point where I don't have to wait for the income from the record to survive, so I'm in a comfortable zone, but I'll make rap records as long as I feel I have something to rap about.

And looking at today's music scene, I think it's cool that there are a lot of consumers and fans not limited by what radio and the record companies tell them to buy.

G.O.O.D. Music is just real tastemakers, man. Kanye's a real tastemaker. One thing that I feel is tight about G.O.O.D. is that a lot of people have their own style, and you can see that. My style is different than Pusha's, it's different than Cudi's. But it's also slightly similar 'cause we have some similar tastes.

I think when I first started out making music here in Los Angeles, a lot of people were really curious about my ethnicity, and you know, whatever questions they had, I'd be more than happy to answer them.

My whole goal in this industry nowadays is to keep doing the underground stuff, but to be able to add vocals that are sexy and underground.

I don't want people to think that just because I do club records, I can't do an album record or an R&B single. I can do R&B, I do pop, I do whatever - but it's still Mustard.

I'm a producer and not a rapper. So I can make any style of music I want. I can make an EDM beat. I can put an EDM track out one day and I can put a grungy hip-hop track out the next day, like, it doesn't matter.

I do not want myself to be restricted to a pigeonholed kind of filmmaker.

Musicians are hungry for new music.

Whatever you make from music, you invest that right back into what you want to get into in life.

I like writing, and I enjoy the production part a lot, actually. It gives you longevity in a career, where you know sometimes you might not always have the time to do the parts you want to do.

If you just focus on making singles, you lose the personality of the record. Because everything is not meant to go to radio.

I want to literally quit drag and go live in the woods somewhere and write music for my favorite female singers, like Miley Cyrus or Kacey Musgraves. I would love to be able to write music for them and hear these women I admire sing my songs. That would be like doing drag without having to get into drag myself.

Occasionally, I'll want to cover something that's outside of my audiences' tastes or interests. Every week or so I have to try and cover at least one or two of those things to keep my sanity. If you're only reviewing what is in the top album spots on Apple Music every week, you can get kind of jaded.

I can have a career right into my old age, creating music in some way. It seems like a lovely way to go through life.

There's no right or wrong way to do things and I think a lot of the SoundCloud rappers with their DIY music are proving that to be true.

I don't think one should be a slave to one medium.

If I have to do 40 films like 'Punchnama,' I will take it up as long as I enjoy it.

At the end of the day, I just like to make the best music that I can make and put it out to the world and see how they respond to it.