Ice Cube Quotes

There needs to be more film directors of colour. They bandy about the word 'diversity' a lot, but when I say 'of colour,' I mean Asian, black - I mean people of all colour. We need to have those voices given the opportunity, not told that their films will not be distributed or will not sell well abroad.

I've done movies for certain reasons; I did 'Anaconda' because the black man lives. Simple. The black man isn't dead in the first three pages, like Jurassic Park. It's like, 'The black man kills the snake with a Latino girl? Damn! I got to do this.'

'Black film,' that term allows studios to just marginalize a movie and say, 'We've made our black film. We've made our film with people of color in it,' as opposed to, 'I just feel like people of color should be in every genre.'

Sometimes you can't fight change, because you're a part of it, and I feel that in the context of these films that are happening now, there is a kind of change coming in terms of how history is represented on film, and the African, and the African-American and British African experience.

Making a movie with people of all different ethnicity, all different skin color and different backgrounds, meant that the movie can literally play all around the world. It's not just a blanket whitewash film like most Hollywood films tend to be.

All films are a challenge and they are a harder challenge when dealing with characters of color.

I grew up figure skating, and in figure skating there is only a handful of black people at the time figure skating with me.

There's not enough black films out there. There's not enough Latin films, or films that have an Asian, Indian or Middle Eastern lead. The list goes on and on.

Do I feel that white directors have to tell only white stories? No. Do I feel that black filmmakers should only tell stories about black people? No. If we say that, then that means Asian people cannot write about anybody but Asians. I don't think a woman should only write about women.

I think it's a little much to expect the organisation to solve the problem of racial parity. We do see a fast-increasing influx of Asians, black folks. I actually see black folks out here, unlike some of our liberal critics.

To represent the nation, you must have multiracial representation.

Studio heads seem to be getting the message that there is not only an audience out there, but there is a desire for people to see people of colour in central roles and in authoritative roles.

You cannot collectively, as a society, decide that you are only going to represent one part of a minority. It's like saying you've represented black people on television because you aired an episode of the 'Cosbys.'

The studios gotta start making more stuff where black folks get quality stuff. But I can't trip about that because I've been making movies for 35 years, and I've played everything from an old lady to a donkey, so I can't be on here talking about, 'They don't give us enough roles' and diversity.

When we've had images that perpetuate the negative stereotype of people of color, we've always had 'The Cosby Show' to hold up against that. And the fact that we no longer have that kinda leaves us not in a great place in terms of having the wide scope of the images of people of color.

There's racist casting, and there is normal casting. Normal casting, to me, is a process that strives for representation and, in many cases, strives to simply portray the world as it actually is instead of as falsely non-inclusive. And sadly, sometimes that involves removing the whitewash that exists on history.

I'm tired of cookie-cutter monolithic representation of black folks.

I probably haven't had enough gay characters in my stuff. When you're writing something, you're thinking, 'Why couldn't this person be black, white, gay?'

My interest as an artist is to illuminate the lives of black folks. I definitely am focused on films that illustrate all that we are and all our nuance and all our complicated beauty and mess, and when you're telling those stories, you gotta have black actors.

We want to make tennis look like America when it comes to cultural backgrounds.

I want to see designers capitalize on a beauty that is not only white. I need them to stop acting like beautiful black and brown women do not exist.

I'm Asian, and I'm an actress, and I've been doing this since I was a teenager, so if anyone understands the conversation about misrepresentation and underrepresentation, it's me. I live and breathe it; this is my life.

I always wanted to be like Mark Messier and I loved Wayne Gretzky, the same as other kids. But it was also really special for me to see the Black players that were in the NHL.

We need more diversity - we need more African-Americans on screen, Latinos, Asians, different religions. We have to be better about reflecting what our world looks like.

There is no doubt that diversity is a problem in show business and that this fight has been going on for a long time.