Kimberly Elise Quotes

My music has to be funny and sad and happy and loving; it's gotta have it all. When somebody's just too dark all the time, it's just drama. Or if somebody's too funny? Well, I like being too funny sometimes.

I'm kind of like a bit of everything wrapped into one.

I'm a human being. I feel all emotions. I'm not just happy all the time. Sometimes, I'm sad and feel the blues. Sometimes I even want to feel the blues. Sometimes, you want to feel down.

I like to be able to feel as many parts of myself while watching a movie at one time. I think that's what 'Super' is - it's funny, but it's also sad. It's very touching in certain ways, and it's also got a very dark sense of humor. So it's allowed to go anywhere.

One of the things I like about a character: I always think it's fascinating when a character can turn on a dime and go from one emotion to another. I like watching that.

I tried to have more than one emotion on the record.

I'm a comedian, and I definitely see the humor in a lot of things. I am also sad a lot. I cry often and easily. I think you're supposed to feel all kinds of things.

Some really good things kind of swing both ways and I like to see people that can swing really, really, really sad and horrible and terrible and really, really, really beautiful and funny.

The waltz can be sad and at the same time uplifting. You have to see life from both sides, and the waltz encapsulates that. If you're in my audience you give yourself to me and the waltz will grab you.

So while it is true that I find really dark stuff funny sometimes, it's also true that as a writer of books I want to have the whole range of human emotions.

I think people appreciate a songwriter who shows different sides. The whole angst thing is cool, but if that's all you've got, it's just boring. Everything I write, whether it's happy or sad, has a sense of humor to it.

Funny and sad are two sides of the same coin. I think that most comedians are able to tap into deep subject matter.

Even in my comedies, I don't take anger as a joke. I think anger and laughter are very close to each other, when you think about it. One of the things I like about a character: I always think it's fascinating when a character can turn on a dime and go from one emotion to another. I like watching that.

I'm not sassy all day every day. I have levels and feelings.

I think people need to understand the amount of emotions I can pull off. I want films I'm offered to have these dimensions.

Sometimes I feel like being an intellectual. Sometimes I like to just be aggressive and all the way in my feelings. Sometimes I might be emotional, or sometimes I might drag on the track and be lazy. I just like to share the different states of existence of Kevin Gates with the rest of the world.

I like the idea of a record being more than one thing emotionally - human beings go through so many emotions in one day - and I like those things sitting next to each other.

Sometimes my friends and I are silly and sometimes we're serious, and sometimes we're emotional, and sometimes we're not.

I find Spike Jones' movies to be really very inventive and funny, but they're really sad and touching and really key into the different facets of the human experience.

Piano is unique in that way: it can be both percussive and haunting.

I believe there are various aspects of me - sometimes I am very capricious and cannot make up my mind, so I'm unpredictable!

I'm crazy, but I'm serious. I'm sentimental, but I'm, like, really hard, too. I just want people to understand that I have all these sides inside me.

I like doing stuff that is sad or angry. It's a challenge, because you're doing a mix of scenes and you're making a person.

The book that made me decide to go into Russian literature was 'Anna Karenina,' which I first read in high school. The thing that appealed to me and constituted its Russianness for me was that it was simultaneously incredibly funny and sad.