John Irving Quotes

Along the (writing) way accidents happen, detours get taken... But these are not "divine" accidents; I don't believe in those. I believe you have constructive accidents en route through a novel only because you have mapped a clear way. If you have confidence that you have a clear direction to take, you always have confidence to explore other ways; if they prove to be mere digressions, you'll recognize that and make the necessary revisions. The more you know about a book, the freer you can be to fool around. The less you know, the tighter you get.

I'm not going to be like, "I gotta get this idea out of my head." It's like, "OK, here's a clean slate, and I've got all these paints, and all these brushes, and this is what I'm going to do with it." It reveals itself, and you take a step back and say, "What's happening here? Where are we going? What does this mean? Do I need to break it open? Does it need to just be what it is? Should it end now?"

The first draft is all about freedom, and if loyalty is in question, it is only my loyalty to the characters and situations on the page. All the worries about where the material may have sprung from or what so-and-so might think can be dealt with later.

People are looking for certainty. The more complex the world becomes, the more people look for people to give them certainty and tell them what to do. During the past few years of actively thinking about this, there is one thing that I have accepted: certainty is not out there. There is not one strategy to follow, and that's OK.

I never think about a shoot before I do it. Because there's no formula for people. What I try to do is to strip everything away rather than go in with preconceived notions. If I do that, I might miss a gem or a jewel that the person is offering me.

It's important that people are open. Some people say, 'I'm going to be a doctor,' and they're a really good doctor. But for the rest of us, it's a big question mark. Just giving yourself a break, letting yourself try new things, and when something doesn't work out, moving along... it's all we can really do.

I always say that I'll have a go and see whether the poem works and if it does, then fine.

I'm one of those people that is up for most things. When I was offered to sing at the Oscars I was like, 'Yeah, I want to know what that's like!' I'm always curious to know what things are like - as long as you're not compromising who you are.

Sometimes, having laughingly accepted some critical objection, he [Lenin] will alter the wording that he himself has just put forward in all confidence

I'm not goal-oriented so much as I'm constantly aware of what I'm passionate about, and I'm constantly updating the list. I envision many possible futures for myself where I could be happy, so I just try to keep my passions alive.

I just keep looking for things that are interesting and keep calm as possible about it all, not worrying about being in a 'box.'

I'm not there to tailor the role to me: I'm there to tailor me to the role. That guarantees me something, a precious thing, which is creativity. I'm guaranteed that I will have a creative experience, because I will go to it, not demand that it comes to me.

I'm very open to following the stories that move me and reach that flexibility where you can be more flexible. I'm expanding my horizons.

Let's say I've directed that [writing] energy into writing my latest book but suddenly, I really want to write about an onion. I don't say to myself, "No, you have stay on the subject," because I know that the longer I stay on the subject the more boring I get. So, if my mind wants to write about an onion, it might be a deeper way to go into what I'm working on, even though it might seem irrelevant. This is how I've learned to follow my mind.

Being tied down to a pre-med or engineering track would have slotted me into a very narrow group. Being a young filmmaker allowed me to explore many areas of life and many kinds of people.

For me, music is just one road. I dont have a specific pursuit; generally. I just try to be more aware of myself.

The best way to go into an unknown territory is to go in ignorant, ignorant as possible, with your mind wide open, as wide open as possible and not having to meet anyone else's requirement but your own.

My general writing preface is to write an outline and then ignore about half of it, both on a micro level with the individual book, and on a macro level with the series as a whole, and that's pretty much what's happened.

Look to yourself for the answer - stop calling your girlfriends and stop calling your mom - you know if it's working or not, you either feel like a goddess or you don't

Don't be too precious or attached to anything you write. Let things be malleable.

I wouldn't have wanted anyone to teach me how to write. That's my own taste. I prefer to stumble on it.

I don't think I would ever be a doctor, but the reason I majored in science was because you could become a civil engineer, you could become a biologist, you could become a computer scientist - that was the point of it. I had no idea what I wanted to do. In my last two years of high school here happened to be these few scripts that I really responded to. Eventually, I landed the job, and that was something that I felt transcended whatever other people would think of me.

I've never had a fear of traveling and going to a new place. I adapt.

I would like the work to be non-work. This means that it would find its way beyond my preconceptions...It is the unknown quantity from which and where I want to go. As a thing, an object, it accedes to its non-logical self. It is something, it is nothing.

I like to leave a little room to innovate and change things around while I'm working.