Rosa Bonheur Quotes

As far as I can recall, the initial shiver of inspiration [for Lolita] was somehow prompted by a newspaper story about an ape in the Jardin des Plantes, who, after months of coaxing by a scientist, produced the first drawing ever charcoaled by an animal: this sketch showed the bars of the poor creature's cage.

Personally, I never believe an artist saying "I do it for myself" is saying the truth, because why would you go through the trouble of making something that goes out into the world if you didn't care about somebody else seeing it? It's like the difference between those who choose "more comfortably termed entertainment" versus what people think of as the "art life," which is supposedly more monastic or spiritual. I don't believe in those distinctions.

There's something about watching an animal that puts you in contact with where we came from and what we're still a part of.

There is no work of art that is without short cuts.

Abstract means literally to draw from or separate. In this sense every artist is abstract for he must create his own work from his visual impressions. A realistic or non-objective approach makes no difference. The result is what counts.

Art is craft, not inspiration.

A hint - don't paint too much direct from nature. Art is an abstraction! study nature then brood on it and treasure the creation which will result, which is the only way to ascend towards God - to create like our Divine Master.

A work of art is not a matter of thinking beautiful thoughts or experiencing tender emotions , but of intelligence, skill, taste, proportion, knowledge, discipline and industry; especially discipline.

Science begins with the world we have to live in, accepting its data and trying to explain its laws. From there, it moves toward the imagination: it becomes a mental construct, a model of a possible way of interpreting experience. The further it goes in this direction, the more it tends to speak the language of mathematics, which is really one of the languages of the imagination, along with literature and music. Art, on the other hand, begins with the world we construct, not with the world we see. It starts with the imagination, and then works toward ordinary experience.

Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it. To the great poet, there is only one method of music - his own. To the great painter, there is only one manner of painting - that which he himself employs. The aesthetic critic, and the aesthetic critic alone, can appreciate all forms and all modes. It is to him that Art makes her appeal.

Art, at any rate in a novel, must be indissolubly linked with craft.

To me the most interesting thing about man is that he is an animal who practices art and science and in every known society practices both together.

A really good picture looks as if it's happened at once. It's an immediate image. For my own work, when a picture looks labored and overworked, and you can read in it as well - she did this and then she did that; there is something in it that has not got to do with beautiful art to me. And I usually throw these out, though I think very often it takes ten of those over-labored efforts to produce one really beautiful wrist motion that is synchronized with your head and heart, and you have it, and therefore it looks as if it were born in a minute.

Art is revelation instead of information, expression instead of description, creation instead of imitation or repetition. Art is concerned with the HOW, not the WHAT; not with literal content, but with the performance of the factual content. The performance - how it is done - that is the content of art.

What moves me about...what's called technique...is that it comes from some mysterious deep place. I mean it can have something to do with the paper and the developer and all that stuff, but it comes mostly from some very deep choices somebody has made that take a long time and keep haunting them.

More important than having a romance with the object that I'm drawing, is to have a romance with the mark that I am making.

Animals give me more pleasure through the viewfinder of a camera than they ever did in the crosshairs of a gunsight.

As artists, we belong to an ancient and holy tribe. We are the carriers of the truth that spirit moves through us all. When we deal with one another, we are dealing not merely with our own human personalities but also with the unseen but ever-present throng of ideas, visions, stories, poems, songs, sculptures, art-as-facts that crowd the temple of consciousness waiting their turn to be born.

Animals have personalities like people and must be studied.

Modern art to me is nothing more than the expression of contemporary aims of the age we’re living in. All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.

All art is but dirtying the paper delicately.

What a crippling art writing is, no body to it, no craft, really. It's all in the mind and you never see it or feel it -- only sometimes hear it. It uses only such a small part of man. I wish I were a sculptor.

Stothard learned the art of combining colors by closely studying butterflies wings; he would often say that no one knew what he owed to these tiny insects. A burnt stick and a barn door served Wilkie in lieu of pencil and canvas.

My recent drawings that personal ones aren't fashion-related. I sometimes sit and draw people on the bus, or some fantasy hybrid animal. You know, wherever the hand will lead.

The creative act is not hanging on, but yielding to a new creative movement. Awe is what moves us forward.