Marilyn Manson Quotes

Sometimes a producer and an artist get together and they make magic like Quincy Jones and Michael Jackson. As far as my own music career - you could liken my chemistry with Timbaland to Marty Scorsese and Robert De Niro.

I wouldn't say I worked with these people because I was looking for a particular vocal sound. I worked with them because I loved what they had done before-and because they really wanted to work with me.

Creatively, I thought we were still viable and could do more records. But our working relationship just wasn't happening at all, and our chemistry as people broke down because of that.

The relationship between the models and the musical performers is very important.

With Fleetwood Mac, it's an amazing chemistry that we have on stage.

You can always know, when it comes to a Gucci Mane or Migos project, there is no such thing of them putting out a project without me being a part of it. These are guys that I'm really close with, and we built a sound together, and we got a certain chemistry.

Personal chemistry forges the way for musical chemistry.

I'd seen the Led Zeppelin reunion and I've never been such a huge Led Zeppelin fan as much as the Doors or Beatles. I went and saw the reunion and watching them play "Stairway to Heaven," it was very breathtaking for one reason mostly. I can imagine these two guys looking at each other, Robert Plant and Jimmy Page. Not to compare us to Led Zeppelin, but I did miss the fact that I could look over at the guy, Twiggy Ramirez, that wrote "The Beautiful People" and "Dope Show." Emotionally, it's taken a long time to repair that.

The original lineup, we got on stage, we had a great chemistry, it was awesome, and then when we left the stage, we never talked to each other. There's a lot of bands that way. Who cares? What's wrong with it?

If you're in a band for long enough, you see your bandmates at their best and their worst, and if you can stick together through that, you're basically family to each other.

There's a part of me that always has the little bit of the sassy sexiness in her. That's probably why I ended up with The Pussycat Dolls in the first place.

I'd like to produce something with Kanye. Like, my production plus his, I think he'd make something really cool.

We really do get along, I think because we have a bit of respect for each other being in a band. But, of course, we're brothers.

When you're working with a producer, there has to be chemistry.

When you're in a band, it's kind of a big thing to be friends as well.

I definitely enjoy performing on stage with The Roots.

We all came to the conclusion that we have an undeniable chemistry musically, that we might not ever find again. The mix of friction and camaraderie channels good songs, performances and laughs.

People always want to romanticize relationships within bands. Most of these relationships are based on music first.

I would love to collaborate with Hariharan Sir.

Glenn was the one who invited me to join the Eagles in 1974, and it turned out to be a gift of a lifetime to have spent so many years working side by side with him. He was funny, strong, and generous. At times, it felt like we were brothers, and at other times, like brothers, we disagreed.

In the end, yes, I'm the singer of Old Dominion, but we're a band of great singers and great musicians, and we just respect each other so much.

The Sekrets record is very much me, and Dan's Emergency Room is very much him. And then Alkaline Trio is very much ours.

I instinctively felt Pancham and Gulzarbhai were meant to make music together.

I don't love collabs just for the sake of collaborating. It has to be purposeful and it needs to sonically make sense.

Actors can be many things - vain, venal, self-serving, obnoxious, bullies - but all of the good ones are great storytellers. I wanted to watch what my actors were doing and how they were telling the story.