Jacqueline Fernandez Quotes

I'm a director's actor and go by what they say.

I have realised I am a director's actor.

An actor can be as talented as another, but if he doesn't stick to what the director's intentions are, it all falls down. I adore working with actors.

Actors aren't stupid, mostly, and if there's a sensibility and an aesthetic that a director's going for, if you're aware of that too, you can do things to help that.

I'm really a director's actor. I rely heavily on a director.

As an actor, I love working with directors. As much as I love working with other actors.

I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you.

I am completely a director's actor. If the director gives me the liberty and freedom, then I give my inputs. Otherwise, I just follow instructions.

I love actors, and I love the casting process. It's funny, like, some writers don't like actors because, I think, they are the faces of the show, and so you feel sort of secondary, but I love actors because they elevate the material; they make it better.

It's part of the job of the actor to torture the director.

I think what makes a good actor's director is somebody who understands what I'm doing and is respectful of it, but who also has a vision and is directing me toward their vision in a way that feels productive.

I think actors are getting so much more power these days, but I'm not. I stay very much away from the decisions, the way in which things are orchestrated, what's been changed. I just try to stay completely in the role as the actor and as the character.

I had done some flimflam movies, but I didn't understand what being an actor meant anymore.

If there's one thing that I know how to do, it's talk to actors. From what I have experienced working with so many different directors in so many different things, a lot of them don't really know how to talk to us.

One rule which applies to every role is that you have to surrender yourself to the director with an empty slate.

Acting is a career where you keep learning with every film you do.

I'm the girl that waits for the director to say, 'I like that,' or 'Can you boost it up?,' or 'Can you pull it down?' I'm that kind of actor. I started in theater, so that's the feedback that I'm accustomed to. It's the feedback that I really thrive off of.

I'm very old-school. I like a director to direct me. I like to be the actor.

Coming from theater, and having been to acting school, and done little, small Australian independent movies, a lot of the time, it's always about character.

Arnaud Desplechin invented me as an actor. I never imagined I'd be acting in movies.

I've acted with all types, I've directed all types. What you want to understand, as a director, is what actors have to offer. They'll get at it however they get at it. If you can understand that, you can get your work done.

I have only one rule in acting - trust the director and give him heart and soul.

I'm an actor and my job is to interpret.

As an actor, you're always at the service of somebody else's vision. In a play, it's more of the director's vision, and he or she's got their hands on you all the way up to opening night, and if it's a film, there are even more people.

My greatest strength as an actor is that I follow my director's brief completely. The film is always the director's visual baby.