Tess Gerritsen Quotes

It depends on the book and what else is going on during my life, but it usually takes me about six months to write and revise the first draft.

I hate first drafts, and it never gets easier. People always wonder what kind of superhero power they'd like to have. I wanted the ability for someone to just open up my brain and take out the entire first draft and lay it down in front of me so I can just focus on the second, third and fourth drafts.

I write everything out in longhand in one fast go. And then I throw out the first few and start over again. By the end of the first draft, the whole thing's messy and disgusting and horrible, but you really understand the foundational stuff.

Some stories or passages are more difficult and demand more fussing with than others, but, in general, I'm a two-draft writer rather than a six-draft writer, or whatever.

Many first-time novelists end up rewriting their first two or three chapters, trying to get them 'just right.' But the point of the first draft is not to get it right; it's to get it written - so that you'll have something to work with.

To tell you the truth, I don't edit much at all. Most times, when I have finished the first draft, that's the book. Of course, I work on the page I am on until I am happy with it. I might even say that I try to state the landscape.

The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the first draft, then I rewrite some of the sentences and paragraphs on the left-hand side.

If you're having trouble finishing a book, it might be that you're trying to fix it as you go. Just finish the story, no matter how terrible you think that first draft is. Then let it cool off. In other words, don't look at it for a while. Then you can rewrite it.

I am a hopeless pantser, so I don't do much outlining. A thought will occur to me, and I'll just throw it into the story. I tell myself I'll worry about untangling it later. I'm glad no one sees my first drafts except for my poor editor and agent.

Some writers sit down without a thought of what they are going to say, and they go through draft after draft.

There are writers whose first drafts are so lean, so skimpy, that they must go back and add words, sentences, paragraphs to make their fiction intelligible or interesting. I don't know any of these writers.

Even if you plan your book, the actual writing is unplanned.

I have to write a first draft with a fountain pen before I type it up as a second.

Writing is a craft and, like all craft, proceeds by stages: conception, material selection, rough shaping, detailed shaping, sanding and finishing.

I find getting the first draft down to be the biggest challenge. Every word, every punctuation mark, every plot point is a decision. It's much more fun to play with something that already exists.

In a first draft, I concentrate on moving forward and trying not to panic.

I write with pen and paper, my first draft, on legal pads.

There are producers, like the late Geoffrey Perkins, who have truly great ideas that will fire up your synapses and show you that handing in your first draft is not the end of a horrible process, but the beginning of a beautiful one.

During the day, if I don't have any other commitments, I'm usually at my desk writing, revising, or researching anywhere from four to six hours.

I found some time ago that I have to be careful, while working on a novel, what I read.

I don't feel I write fast. I write in longhand and do so much revision. On the page, it's so old-fashioned. I could write a whole novel on scrap paper, scribbles and things. I keep looking at it and something develops. For me, using a word processor would mean staring at a screen for too many hours.

Basically I started to jot notes, lots of faxes back and forth to my writer, we faxed ideas throughout the whole first draft, and started all over again.

My writing process often begins with a question. I write down ideas and let them stew for about a year. Then, when I sit down to write, I make a list of characters and try to see how they fit.

I don't have any particular rituals, I sometimes like to write in longhand when I'm searching for ideas but I do the vast majority by typing, I can't always keep up with my thoughts longhand. I'm not a coffee shop writer because I feel obliged to order more coffee and then I end up over-caffeinated.

Re-writing is different from writing. Original writing is very difficult.