Danny Brown Quotes

Little did the artist know, who neglected his appearance in favor of his work, that the years would produce a breed that spent hours meticulously acquiring a neglected look to appear like an artist.

Try to keep the rebel artist alive in you, no matter how attractive or exhausting the temptation.

Growing up, I'd already decided I wanted to be a beatnik. A Bohemian poet, I thought. Or a musician. Maybe an artist. I'd dress in black turtlenecks and smoke Gitanes. I'd listen to cool jazz in clubs, getting up to read devastating truths from my notebook, leaning against the microphone, cigarette dangling from my hand.

I don't sell anything. So, I have a personal image, but I think that's because I'm from an art background, and I'm an artist, and I think most artists do have personal images. I consider myself more in that category of the way an artist had a look.

I was never really a bohemian. I was a sloppy guy who liked cheap apartments and the arts, and who was very left-wing politically as the 60's progressed, though it took me a little while.

These people, as far as I can see, do not congregate in the notorious centers of the movement, like the North Beach in San Francisco or Greenwich Village, or Venice, California.

Artists freeze themselves into these weird postures that are meant to be impressive and involving, then they fling them out into the world like Polaroids, and then they move on. And I'm stuck in this intense relationship to the Polaroid.

In every society, the artists will be the ones who set themselves up as contrary to whatever the society expects.

Songwriters always reminded me of that kid at school who would go around with his guitar, like, "Yeah, songwritin' man," looking wistful. That wasn't me - those kinds of people put me off.

I am a black new wave artist.

I try to project not only a song but a personality.

Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person.

I think I'm a full-time artist, a full-time urban planner, and a full-time preacher with an aspiration of no longer needing any of those titles. Rather, I'm trying to do what for some seems a very messy work or a complicated work.

The moment that an artist takes notice of what other people want, and tries to supply the demand, he ceases to be an artist.

I have the gift of neither the spoken nor the written word, especially if I have to say something about myself or my work. Whoever wants to know something about me -as an artist, the only notable thing- ought to look carefully at my pictures and try and see in them what I am and what I want to do.

Even as a teenager we got interested in the Beats, Dada, and Surrealism, and so on. What drew us to those was that their lives were their art. It wasn't something they did separately. Reading biographies of artists of that kind was what was fascinating to me, more than the stuff they made. We became convinced that life and art is really the same thing.

I have absolutely no interest in rock and roll. I'm just being David Bowie. Mick Jagger is rock and roll. I mean, I go out and my music is roughly the format of rock and roll, I use the chord changes of rock and roll, but I don't feel I'm a rock and roll artist. I'd be a terrible rock artist, absolutely ghastly.

All artists today are expected to cultivate a little fashionable unhappiness.

We are image-makers and image-ridden... We work until we vanish.

Andy [Warhol] was on the scene, but he wasn't an artist at first; he was more an illustrator. He was always surrounded by about ten people who worshipped him. He'd go to a party and they would all come along. But he was drawing shoes and that sort of thing.

I believe framing reality is one of the only ways we can ever be sure it actually exists. In that regard, I feel as though I'm still learning who I am as an artist.

There’s no “correct path” to becoming a real artist. You might think you’ll gain legitimacy by going to university, getting published, getting signed to a record label. But it’s all bullshit, and it’s all in your head. You’re an artist when you say you are. And you’re a good artist when you make somebody else experience or feel something deep or unexpected.

The impulse of nature, fused through the personality of the artist by laws arising from the particular nature of the medium, produces the rhythm and the personal expression of a work. Then the life of the composition becomes a spiritual unity.

It became like a symbolic thing, to be “an artist.” After Duchamp, I realized that being an artist is more about a lifestyle and attitude than producing some product.