Martin Amis Quotes

I write in a rush of memory.

I don't write drafts. I write from the beginning to the end, and when it's finished, it's done.

At the beginning of writing fiction, too much of the newspaper style was getting into the prose, so I thought, 'Gee, I should try writing longhand. Maybe I can tap something that goes back to the point before I could type.'

I don't type [when I write] because . . . I often have the feeling that everything flows directly from my right hand.

I tend to elongate the sentences as I'm writing and editing, and there is just something about the feeling of writing longhand that I really love.

For me, you have to not have a formula. You have to not even sit down and say, 'I want to write right now.' It has to just kind of come out. It's not something you can plan.

When asked, 'How do you write?' I invariably answer, 'one word at a time.'

I have friends who are capable of writing a very rough draft and then going back and embroidering - they're sort of the cathedral builders of fiction. I never really know what I'm doing, and all my pleasure's on the level of the line.

Structure that really pays off is all based on emotion. I don't write down an elaborate plan. It's really done by feel. It's one area of my writing that I think I've got surer at as I've evolved.

My writing routine is: get son off to school and sit down at 8 A.M. I read what I wrote the day before, and then write longhand, into a notebook. I prefer paper and pen because it feels closer to my brain.

In my office I have a sign that says, 'Don't think. Just write!' and that's how I work. I try not to worry about each word, or even each sentence or paragraph. For me, stories evolve. Writing is a process. I rewrite each sentence, each manuscript, many times.

My first five novels were written longhand. So were hosts of short stories.

I write totally spontaneously. I actually write fiction by hand - that always seems to startle people. I think the reason I do that is to bypass the thinking part of me and get to the more unconscious part, which is where all the good ideas seem to be.

I don't fiddle or edit or change while I'm going through that first draft.

Some writers sit down without a thought of what they are going to say, and they go through draft after draft.

When I'm writing something, I try not to get analytical about it as I'm doing it, as I'm writing it.

I've always preferred writing in longhand. I've always written first drafts in longhand.

I don't card out my screenplays ever. I just have an idea I just sit down and write I don't edit.

I write my novels longhand. I love the feeling of writing; I love to see pen on paper. It feels more creative than typing, and it's a more visual process for me - I can picture the entire scene in my head and am merely writing what I see.

There are a lot of elements when you're writing, or when I'm writing, that are sitting in the back of your mind. I try to let them stay there, because they find their way in more naturally that way.

I write everything out in longhand in one fast go. And then I throw out the first few and start over again. By the end of the first draft, the whole thing's messy and disgusting and horrible, but you really understand the foundational stuff.

I don't consciously think of any certain direction when I'm writing. I only try not to be repetitive or redundant.

To develop your own voice, you have to keep writing a ton, and this is something where I think Twitter is helpful. I use it to write a ton of jokes. You have to write a ton of bad stuff before you know what you're good at. And that's what some people I think have trouble with, the thought of getting past the bad stuff.

Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something-anything-down on paper. A friend of mine says that the first draft is the down draft-you just get it down. The second draft is the up draft-you fix it up. You try to say what you have to say more accurately. And the third draft is the dental draft, where you check every tooth, to see if it's loose or cramped or decayed, or even, God help us, healthy.

Since I had started to break down all my writing and get rid of all facility and try to make instead of describe, writing had been wonderful to do.