John Carpenter Quotes

I came to terms with living mostly in a world of horror pictures or genre pictures.

Cinema is universal, beyond flags and borders and passports.

I want to do Indian films based on scripts with a universal appeal.

I love movies that have that resonating scare, that really get under your skin and make you think.

I think in the late '80s and early '90s horror was dead.

I love being entertained sure, but the movies that I live for, the movies that I buy and think about and stay in my mind are the movies that entertain me but leave me with something a little uncomfortable to grapple with in the lobby.

I think, to go to the bottom of it all, that the films I have made and my kind of film-making is a hybrid type of film-making - in that it isn't American, it isn't Italian.

Country music is different because we [musicians] are all actually happy for each other. We're all friends. It's a little family. So if you don't win [an award], usually one of your friends does. So it's kind of a cool thing. I think it's the only genre of music to have that camaraderie.

The universal does not attract us until housed in an individual.

I believe that one of the most sound ideas in dramatic writing is that in order to create the universal, you must pay very great attention to the specific. Universality, I think, emerges from truthful identity of what is.

Cultural differences - they are definitely vast in some ways. But I think that Europeans in general have a more global view of the world because they are in such proximity to other countries that it enables them to travel and see other parts of the world.

Nobody makes art for an elite, not if they're a real artist. You try and reach as many people as possible with whatever it is that you make. If a chef is making an omelette, he wants everyone to think that it tastes great because he did it. And if it does, then that's a success because everyone eats it.

People think I am unemotional because my voice is flat and a bit boring. It is unfortunate but it is just the way it is. I've tried to change it but it doesn't seem to make a difference. The truth is, I have lots of emotions inside. I cried after the semi-final at Wimbledon [2012] because I was proud to reach the final and I knew how much it meant to the country. I cried after the [losing] final [to Federer], too, for different reasons. I felt I had let people down. I think people warmed to that. They could see how much it hurt.

I'd like to say that people... people can change anything they want to; and that means everything in the world. Show me any country and there'll be people in it. And it's the people that make the country. People have got to stop pretending they're not on the world... It's time to take that humanity back into the center of the ring and follow that for a time... Think on that. Without people you're nothing.

I think that one of the most exciting things about making films is the sort of reaching out to the world. It's as an ambassador. You realize the more you travel that you are a cultural ambassador for your own country. You never become more patriotic than you do living abroad.

How much longer are we going to think it necessary to be American before (or in contradistinction to) being cultivated, being enlightened, being humane, and having the same intellectual discipline as other civilized countries?

The more freely information flows, the stronger the society becomes, because then citizens of countries around the world can hold their own governments accountable. They can begin to think for themselves.

It is a relief to read some true book, wherein all are equally dead,--equally alive. I think the best parts of Shakespeare would only be enhanced by the most thrilling and affecting events. I have found it so. And so much the more, as they are not intended for consolation.

Washington was a typical American. Napoleon was a typical Frenchman, but Lincoln was a humanitarian as broad as the world. He was bigger than his country - bigger than all the Presidents together.

It's about something that I'm extremely passionate about: exploring other cultures, how Americans are perceived by other cultures and how we perceive other cultures through our worldview. I travel whenever I get an opportunity to do so, and I think this country is ready for a show on television that is bilingual and really puts front and center another culture, both as the protagonist and the antagonist.

I think of horror films as art, as films of confrontation.

Horror has been very good to me in my career. Doing horror films is for the fans and helps keep that part of my career alive.

I think most of us can remember from our own childhood, just in the Disney cartoons, things that frightened us profoundly. For me it was Bambi, the scene when the forest was on fire. That was something I had nightmares about. I can't imagine being a little kid of eight and seeing Night Of The Living Dead with living corpses eating the flesh of living people.

Sometimes films about oppression or suppression can be quite maudlin and quite dour. Sometimes you need a little sugar with the medicine and I think of myself as the little sugar.

The strongest human emotion is probably love. I think it's universal. I think that across language and country and time and everything else, probably love.