J. M. Coetzee Quotes

You say how you feel, and songs don't lie. Songs are the most honest form of human expression there is--there's nothing that lies about a song.

Every modulated sound is not a song, and every voice that executes a beautiful air does not sing. Singing should enchant. But to produce this effect there must be a quality of soul and voice which is by no means common even with great singers.

I think pain is the best feeling for song writing. You can write good happy songs, but I think the kind of bruiting, depressing ones are more effective. They are easier to write when I am impassioned and angry. It is a good way to channel that negative energy.

Every time I tried to tell you the words just came out wrong, so I'll have to say I love you in a song.

If I look at my own recordings, I think generally there is a focal point within the song and often it's the instrumental bridge or a guitar solo where we try to do something unexpected, something beautiful or weird, or beautiful because it is weird. And of course I fail half the time, but yes that is the goal, to create even a few seconds of bliss, or sadness. The electric guitar is a great instrument for doing this because it is capable of surprising you. There are so many different sounds available.

It's fun to play characters in songs. I can just cheat a little bit... be this person for just a small amount of time and just help vent that idea.

Daisy began to sing with the music in a husky, rhythmic whisper, bringing out a meaning in each word that it had never had before and would never have again. When the melody rose, her voice broke up sweetly, following it, in a way contralto voices have, and each change tipped out a little of her warm human magic upon the air.

Being singer is different than being an actor, where you call up sources from your own experience that you can apply to whatever Shakespeare drama you're in. But an actor is pretending to be somebody, a singer isn't. And that's the difference. Singers today have to sing songs where there's very little emotion involved. That and the fact that they have to sing hit records from years gone by doesn't leave a lot of room for any kind of intelligent creativity.

There are things that I refuse to deal with except through my music... because I don't trust humanity that much, and I don't know if I trust me that much. But I trust the songs.

I can turn heartbreak into songs that help other people.

I'd rather sing a sad song than eat.

I always know when a song is good or close to finished. When I sing it, it makes me feel the emotion. My tears will start flowing or I'll start laughing. I'll start feeling whatever intensity or emotion was the seed of that song.

There's still a feeling that uncensored emotions make a good song. They don't. Pure emotion is just somebody screaming at you, or crying. It doesn't communicate anything. It has to be mediated with some skill and craft, in order to communicate it to a second, a third, or a fourth person. That doesn't make it any less real. And it doesn't make it any less true. But it does mean that, yeah, it's the combination that makes it work.

Folk songs are evasive-the truth about life, and life is more or less a lie, but then again that's exactly the way we want it to be. We wouldn't be comfortable with it any other way. A folk song has over a thousand faces and you must meet them all if you want to play this stuff. A folk song might vary in meaning and it might not appear the same from one moment to the next. It depends on who's playing and who's listening.

I really wanted to get that dynamic on the record onto people and let them know it wasn't just a simple strumming along the guitar type of thing without ramming it down their throats so I kind of went the opposite way and sang some of the songs more quietly which allowed for the louder parts to sound as though there were more. It was the only way singing those songs made sense to me.

The grandeur of man lies in song, not in thought.

I would feel really dishonest writing a song that was really sassy, or really confident, because I'm not a supremely confident being. I think that's what people find interesting about what I do; it's very different lyrically.

I believe that music surpasses even language in its power to mirror the innermost recesses of the human soul

I don't talk about my personal life in great detail. I write about it in my songs, and I feel like you can share enough about your life in your music to let people know what you're going through.

The voice is a human sound which nothing inanimate can perfectly imitate. It has an authority and an insinuating property which writing lacks. It is not merely so much air, but air modulated and impregnated with life.

I still don't know how to express the really delicate personal stuff. People think that Plastic Ono is very personal, but there are some subtleties of emotions which I cannot seem to express in pop music, and it frustrates me. Maybe that's why I still search for other ways of expressing myself. Song writing is a limiting experience in some ways - writing down words that have to rhyme.

Art problems are problems of human relationship.

As oil will find its way into crevices where water cannot penetrate, so song will find its way where speech can no longer enter.

It was during this [as a kid] time that I came out of my shell vocally and performance wise, I learned how to really and truly sing in a different way.... my way. It was an amazing experience because I also realized my lifelong dream - to sing my own songs...I have something to say and it was a great release for me to share that part of myself with others.