Kenny Omega Quotes

With 'Ed Wood,' I sobbed. With 'Frankenweenie,' I was crying. With 'Edward Scissorhands,' I always cry. There's always an incredible amount of purity, even if they look a certain way.

I would hope to end my career here if it came down to it and take other roles with 'Lucha Underground.' I see a lot of the style I was raised on here, and I think I can help out with the young upcoming talent and hope to be around here as long as it lasts.

I love to zoom in and study why a chord is making me feel a certain way, but then I've learnt to zoom out again. Because if I'm not actually feeling it, there's not much point making it in the first place.

When I look at Stephanie McMahon's entire career, I'm always blown away at how she just moves your soul. Literally, my heart is moved by her. Either I hate her or love her - or love to hate her.

We use wrestling moves to tell a story but it boils down to the character and being able to bring either love or hate out of your crowd.

Is it supposed to be a championship for a certain style of wrestlers? For wrestlers under a certain weight limit? I think over the years the one thing that has held the X-Division from being in a certain spot is that it doesn't have a definition.

Even my most physical matches in New Japan have all been athletic contests, and generally, they've all been fair and square. It's been this new, strong style we've been trying to create in New Japan, with my own personal style.

I didn't know what a good technical wrestler was when I was little - it was people that made me scream or boo or cheer.

The game has changed since the '80s, where you could punch and kick and headlock and do one suplex, and that's a 25 minute match.

Talking with Ken Shamrock was almost a one-way conversation. I knew Ken was a tough guy, one of the toughest in the world at one time and still tough as nails. I had heard he had a tough background, but there are two times in that interview when I teared up. I'm "Stone Cold" Steve Austin, and I didn't cry, but I teared up. Ken saw me, and he almost started tearing up, too. I'd never experienced anything like that. To hear some of the things that he went through, my jaw was on the floor.

There are two things that really move me: music and acting. And I'm not talking about my music or watching myself as an actor, but listening to other people's music and watching other actors. There are so many different songs that have moved me. It all depends upon the mood that I'm in at that moment.

Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet.

Tell me Jesse, does she sigh when you kiss her too

In the loss of an object we do not proportion our grief to the real value it bears, but to the value our fancies set upon it.

People don't go to the movies to get the news, people don't go to the movies to learn a lesson. People go to the movie to get an emotional experience.

I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointments in the Department of Having a Voice that Made My Skin Feel More Like Skin.

The anguish I always feel when she's in pain wells up in my chest and threatens to register on my face.

The world tips away when we look into our children's faces.

The future is about emotion: reactions to events are usually far more important than the events themselves.

I wonder whether art has a higher function than to make me feel, appreciate, and enjoy natural objects for their art value?

In WWE there's a huge degree of acting you need to have to become legendary, to become popular. You have to become a great actor in WWE and that's something I've honed from a young age. I could never be the biggest guy on the show when I first started wrestling; it was all about the giants. But I could have the biggest personality, the biggest character.

Whenever I see your smiling face, I have to smile myself, because I love you, yes I do.

I had never experienced anything like the response I got from people for Pirates of the Caribbean, where you meet a 75-year-old woman who had seen Pirates and somehow related to the character, and then five minutes later you meet a six-year-old who says, 'Oh, you're Captain Jack!' What a rush. What a gift. That was the challenge with Wonka, too--to be, in a sense, like Bugs Bunny. I find it magical that a three-year-old can be mesmerized by Bugs, but so can a 40-year-old or an 80-year-old. It's a great challenge to see if you can appeal to that huge an age range.

Whenever I'm making music I'm always waiting for the shivers to happen - that's an important thing for me.

Literature can train, and exercise, our ability to weep for those who are not us or ours.