Mary Shelley Quotes

Clearness ornaments profound thoughts.

The things one can express with the hand, with the head, with the shoulders!... How many useless and encumbering words then disappear! What economy!

To make great art, you had to expose your soul, and some things should be left safely in the dark.

In repose, my face looks as though I had gone through a terrible deal in the last five minutes. I have to disguise the expression and get a glassy-eyed look. That's something I learned from my dog.

The mind's eye can nowhere find anything more dazzling or more dark than in man; it can fix itself upon nothing which is more awful, more complex, more mysterious, or more infinite. There is one spectacle grander than the sea, that is the sky; there is one spectacle grander than the sky, that is the interior of the soul.

And this vague little smile is my all purpose expression the meaning of which I will leave to your discretion.

I sink down into my body as into a swamp, fenland, where only I know the footing…. I’m a cloud, congealed around a central object, the shape of a pear, which is hard and more real than I am and glows red within its translucent wrapping. Inside it is a space, huge as the sky at night and dark and curved like that, though black-red rather than black.

Be sure to give the same expression to a person's face that you give to his body.

Some eyes threaten like a loaded and levelled pistol, and others are as insulting as hissing or kicking; some have no more expression than blueberries, while others are as deep as a well which you can fall into.

The art of saying well what one thinks is different from the faculty of thinking. The latter may be very deep and lofty and far- reaching, while the former is altogether wanting.

I just stick my tongue out because I hate smiling in pictures.

Make portraits of people in typical, familiar poses, being sure above all to give their faces the same kind of expression as their bodies.

So much emotion can be brought in an animated film that's very hard to get in a live-action film. I haven't quite put my finger on why, but it might be because the characters can make facial expression that, if you made them in a movie, they'd call them corny.

The eye is continually influenced by what it cannot detect; nay, it is not going too far, to say that it is most influenced by what it detects least. Let the painter define, if he can, the variations of lines on which depend the change of expression in the human countenance.

The man is only half himself, the other half is his expression.

Art flies around truth, but with the definite intention of not getting burnt. Its capacity lies in finding in the dark void a place where the beam of light can be intensely caught, without this having been perceptible before.

He has the strangest expression on his face- the emotional equivalent of 404 PAGE NOT FOUND.

The first time I started choreographing was in the dark, in my living room, with the lights completely out, to some popular music on the radio. I put the radio on full blast and I started moving. I didn't know what it looked like. I didn't want to see it... I had to start in the dark.

No more harmful nonsense exists than [the] common supposition that deepest insight into great questions about the meaning of life or the structure of reality emerges most readily when a free, undisciplined, and uncluttered (read, rather, ignorant and uneducated) mind soars above mere earthly knowledge and concern.

For me, the monologue was the favorite thing I had done in radio. It was based on writing, but in the end it was radio, it was standing up and leaning forward into the dark and talking, letting words come out of you.

Two people kissing always look like fish.

A man finds room in the few square inches of the face for the traits of all his ancestors; for the expression of all his history, and his wants.

If there is any reason to single out artists as being more necessary to our lives than any others, it is because they provide us with light that cannot be extinguished. They go into dark rooms and poke at their souls until the contours of our own are familiar to us.

people's emotions are rarely put into words , far more often they are expressed through other cues. the key to intuiting another's feelings is in the ability to read nonverbal channels , tone of voice , gesture , facial expression and the like