Virginia Woolf Quotes

I'm just fascinated by the past. You know, both by the possibilities it holds and by the complete tyranny of it, the way it sort of keeps you in this stranglehold and makes you want things that you no longer have and you can never get back.

If there is any realm where distinction is especially difficult, it is the realm of childhood memories, the realm of beloved images harbored in memory since childhood. These memories which live by the image and in virtue of the image become, at certain times of our lives and particularly during the quiet age, the origin and matter of a complex reverie: the memory dreams, and reverie remembers.

I wouldn't mind the early autumn if you came home today I'd tell you how much I miss you and know I'd be okay. It's funny how we never know exactly how our life will go It's funny how a dream can fade with the break of day. Time can't erase the memory and time can't bring you home Last Summer was a part of me and now a part is gone. —Margaret

What happiness is there in just the memory of happiness?

Our tears fatten upon our memories of joy.

We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.

From dream to dream and rhyme to rhyme I have ranged / In rambling talk with an image of air: / Vague memories, nothing but memories.

Memories are less tangible than dreams.

One more thing. The people and the friends that we have lost... or the dreams that have faded... never forget them.

All whispers and echoes from a past that is gone teem into the sleeper's brain, and he is with them, and part of them.

Then take me disappearin' through the smoke rings of my mind, Down the foggy ruins of time, far past the frozen leaves, The haunted, frightened trees, out to the windy beach, Far from the twisted reach of crazy sorrow. Yes, to dance beneath the diamond sky with one hand waving free, Silhouetted by the sea, circled by the circus sands, With all memory and fate driven deep beneath the waves, Let me forget about today until tomorrow.

These are things you should learn. Your past is a skeleton walking one step behind you; your future is a skeleton walking one step in front of you. Maybe you don’t wear a watch, but your skeletons do, and they always know what time it is. Now, these skeletons are made of memories, dreams, and voices. And they can trap you in the in-between, between touching and becoming. But they’re not necessarily evil, unless you let them be.

Dare I say I miss him? I do. I miss him. I still see him in my dreams. They are nightmares mostly, but nightmares tinged with love. Such is the strangeness of the human heart.

Music evokes emotion and emotion can bring it's memory.

Everything looks stark and vivid and frozen, as though drawn precisely and outlined in ink - parents' smiles frozen, camera flashes blinding, mouths open and white teeth glinstening, dark glossy hair and deep blue sky and unrelenting light, everyone drowning in light - everything so clear and perfect I'm sure it must already be a memory, or a dream.

Dreams, memories, the sacred--they are all alike in that they are beyond our grasp. Once we are even marginally separated from what we can touch, the object is sanctified; it acquires the beauty of the unattainable, the quality of the miraculous. Everything, really, has this quality of sacredness, but we can desecrate it at a touch. How strange man is! His touch defiles and yet he contains the source of miracles.

Long ago, long ago. The simple things come back to us. They rest for a moment by our ribcages then suddenly reach in and twist our hearts a notch backward.

In your eyes of mourning the land of dreams begins.

No sadness is greater than in misery to rehearse memories of joy.

It's nine o'clock on a Saturday, the regular crowd shuffles in / There's an old man sitting next to me making love to his tonic and gin / He says, 'Son, can you play me a memory?/ I'm not really sure how it goes / But it's sad and it's sweet, and I knew it complete when I wore a younger man's clothes.'

When a man or woman loves to brood over a sorrow and takes care to keep it green in their memory, you may be sure it is no longer a pain to them.