Ruby Rose Quotes

I had kind of a rough childhood, so I created my own reality.

After a long moment I closed the freezer door. I wanted to lie down and press my cheek against the cool linoleum. Instead I reached out with my little finger and flipped the Barbie's head. It went thack thack against the door. I flipped it again. Thack thack. Whee. I had a new hobby.

The ability to suspend reality and go into a make-believe world can be really, really difficult if there's something really big going on.

I still have a photo on my wall of the greatest idol I will ever have in my life, and it's myself at eight. Because that's when the forces of imagination have the same value as the real world, when they're an instrument of survival: when my mother disappeared, and I imagined a mother. That was me at my best.

As a child, I dreamed that my bed could fly and glide and swoop and hover high over the countryside near my home while, snug and secure, I looked down in wonder at the great carpet of life that seemed so perfect beneath me.

In Ronald Reagan's chaotic childhood, the imagination was armor. There is nothing unusual about that; transcending the doubts, hesitations, and fears swirling around you by casting yourself internally as the hero of your own adventure story is a characteristic psychic defense mechanism of the Boy Who Disappears.

I was pretty locked up emotionally as a kid - my family situation was tumultuous. But I was extroverted. So when I was in pain, I would tell jokes instead of expressing myself.

The crew knew because they had heard from other people, and when I showed up on the set the next day, they were all looking at me kind of weird. I told them that Bill always taught me that whenever something bad like that happens, the best thing to do is work.

I had an imaginary friend. I don't know when I stopped having an imaginary friend, but my mom and everybody in my family remembers it pretty good. It's definitely true.

With a complicated childhood, you can either focus on the positive or the negative, and I chose to focus on the positive.

I was a sci-fi addict when I was a kid and a teenager. Novels, graphic novels, movies, it was my way to deal with reality.

Reading was my escape growing up in Ohio. Both of my parents lost their jobs when I was a teen, and it was hard. But I always had my books. Reading gave me a way of living different lives.

We are constantly - in order to cope with painful realities - shuffling through third-rate, half-remembered fantasies taken from movies, from TV, from people we admire. We do this individually, we do it collectively - we tell stories to escape our most painful truths.

When I was growing up, I didn't feel strong. I felt weak. I felt like a scared little kid. So I naturally turned to books to deal with that feeling, and I really turned to fantasy. That's really what influenced my decision to write a fantasy novel.

When I was a little girl, my imagination was what helped me deal with some sort of negative elements in my childhood.

And during the campaign of 1936, she writes that she and her brother would always rather be out doing things when they're sick, rather than take to their beds. And I think Eleanor Roosevelt always responded to pain by doing more, by doing something, by being active. And I think she just couldn't bear to look at her childhood grief. And she didn't.

All over the walls of my room are pictures of Peter Pan. I've read everything that Barrie wrote. I totally identify with Peter Pan, the lost boy from Never Neverland.

Writing has always allowed me to escape. I was a very lonely child. Because I was very socially awkward, I would always have trouble making friends. And so reading and writing allowed me to have friends and to have an active imaginary life that really sort of kept me sane.

Back when I was very small, and we had this bathroom with these sort of paneled mirrors on the side. And I would just sit there - because it was the only warm room in the house. And I would - if I was in a bad place - I would go to my imaginary place with these mirrors, and create this entire other world to sort of help level out what I was dealing with.

He tunneled into stories where weak men changed into strong half-animals or used eye beams or magic hammers to power through steel or climb up the sides of skyscrapers. He was the Hulk when angry and Spidey the rest of the time. When he felt his heart hurt he turned into something stronger than a little boy, and he grew up this way. A heart that flashed from heart to stone, heart to stone. As I watched I thought of what Grandma Lynn liked to say when Lindsey and I rolled our eyes or grimaced behind her back. "Watch out what faces you make. You'll freeze that way.

My sense of humor was a tool for me getting past my mother and father separating, my older brother having cerebral palsy, and the bullies in the schoolyard. I had to make them laugh to keep them off my ass. I brought that to my professional career.

Whatever doesn't kill you, makes you watch a lot of Cartoon Network and drink mid-price Chardonnay at 11 in the morning.

While growing up, I lived in my own fantasy world. I had kind of a rough childhood, so I created my own reality.

...he who remains passive when over-whelmed with grief loses his best chance of recovering his elasticity of mind.

My art teacher had said that if you breathed deeply and imagined something, you could be there. You could see it, feel it. During our standoffs with the NKVD, I learned to do that. I clung to my rusted dreams during the times of silence. It was at gunpoint that I fell into every hope and allowed myself to wish from the deepest part of my heart. Komorov thought he was torturing us. But we were escaping into a stillness within ourselves. We found strength there.