Benjamin Todd Jealous Quotes

In this perilous world, if a black boy wanted to live a halfway normal life and die a natural death he had to learn early the art of how to get along with white folks.

There haven't been fundamental structural changes in America. There's been a very important symbolic change and that is the election of Barack Obama. But the only black people who truly live in a post-racial world in America all live in a very nice house on 1600 Pennsylvania Avenue.

I'm blacker than Barack Obama. I shined shoes. I grew up in a five-room apartment. My father had a little laundromat in a black community not far from where we lived. I saw it all growing up.

To avoid the consequences of posterity the mulattos give the blacks a first class letting alone. There is a frantic stampede white-ward to escape from Jamaica's black mass.

I'm pretty sure I can say that no one in my family ever asked Demetrie what it felt like to be black in Mississippi, working for our white family. It never occurred to us to ask. It was everyday life. It wasn't something people felt compelled to examine. I have wished, for many years, that I'd been old enough and thoughtful enough to ask Demetrie that question. She died when I was sixteen. I've spent years imagining what her answer would be. And that is why I wrote this book.

I worked at an all-black swimming pool in the east side of Wilmington, I was involved in what the Negroes, I mean, blacks were thinking, what they were feeling.

The privileged position of whiteness doesn't allow for someone with one drop of Negro blood to be considered white, which allows whiteness to be a fairly pure category while blackness has to absorb an expansive reality of representation.

The racial conversation in the States is so multifaceted and multilayered. Obviously it's not always a positive conversation, but it's just so much more detailed than it was when I was growing up in South Africa.

There's an African-American professor at a noted Ivy League school who is saying there's three kinds of white people, and only one of the three different kinds is worth anything, and that they're so tiny and so small a group that you don't need to be worried.

My father is black and my mother is white. Therefore, I could answer to either, which kind of makes me a racial Lone Ranger, caught between two communities.

My mother worked in the white world, but I lived almost exclusively in a black world. I don't think I had ever seen a white teacher until I got to high school.

If you're black in America, race is a factor in your life. Start with that assumption.

You can be poor, middle class, or rich - it doesn't matter. The black card will still confer upon you an entire history of oppression, even if you've never been oppressed. Flash the black card, and most white people will cower.

I think, in the United States, we talk about race as a black and white issue... We're generally talking about it as if it's a binary equation whereas, in fact, there's more than two races and, in fact, those races blend together. There are a lot of different ways that people identify.

In 2016, the conversation of the black experience is so broad, and it's very raw. I mean, c'mon, we have a black president. That's a major thing, and there are so many other significant occurrences that have come from the '60s and '70s up to now.

Here's the thing. When we talk about race relations in America or racial progress, it's all nonsense. There are no race relations. White people were crazy. Now they're not as crazy. To say that black people have made progress would be to say they deserve what happened to them before.

I was wowed by Margo Jefferson's memoir, Negroland, which is about growing up black and privileged in Chicago in the fifties and sixties. It was a window into an alien world. Obviously, I'm not black, but what was really alien to me was her family's focus on respectability. I was never taught when to wear white gloves, what length skirt is appropriate.

The Negro loves America enough to criticize her fundamentally. Most white Americans simply can't be bothered.

In the Shadow of Slavery covers two and a half centuries of black life in New York City, and skillfully interweaves the categories of race and class as they affected the formation of African American identity. Leslie Harris has made a major contribution to our understanding of the black experience.

Our Blacks Are Better Than Their's

I never, with my eyes, saw the mistreatment of any black person. Not once. Where we lived was all farmers. The blacks worked for the farmers. I hoed cotton with them. I'm with the blacks, because we're white trash. We're going across the field.... They're singing and happy. I never heard one of them, one black person, say, I tell you what: These doggone white people - not a word!... Pre-entitlement, pre-welfare, you say: Were they happy? They were godly; they were happy; no one was singing the blues.

I think that having a black president in this country has been a seismic shift, in terms of what has been going on racially in America. I think that America is now engaging with how we have come to this point.

'Get Out' takes on the task of exploring race in America, something that hasn't really been done within the genre since 'Night of the Living Dead' 47 years ago.

fter the O.J. Simpson trial there was talk about how the country was splitting in two - one part black, one part white. It was ludicrous: typical gringo arrogance. It's as though whites and blacks can imagine America only in terms of each other. It's mostly white arrogance, in that it places whites always at the center of the racial equation.

Every time I embrace a black woman I’m embracing slavery, and when I put my arms around a white woman, well, I’m hugging freedom. The white man forbade me to have the white woman on pain of death... I will not be free until the day I can have a white woman in my bed.