Tatiana Maslany Quotes

Flaws are really interesting.

We try our hardest to be original, but the truth is, in a real ER, you get similar kinds of cases over time. We try to embrace the distinctions of different characters going through similar storylines.

I know that me personally I'm different than anyone else, just like our mothers all tell us we're all very special and unique and we are, and I think if an actor can stick to trying to make the character resemble something from their own spirit it will automatically be unique.

A man without characteristics is a most insipid character.

Everyone has the obligation to ponder well his own specific traits of character. He must also regulate them adequately and not wonder whether someone else's traits might suit him better. The more definitely his own a man's character is, the better it fits him.

I believe shooting chronologically gives you a very fresh perspective and you're always aware of where you are in the development of the characters.

I try to be really, really specific, because each character is really an individual and you have to find out what makes them unique.

Whenever you write a character, you want to make them themselves, you want to make them unique. You don't want fifty characters in your book and they all pretty much act and think the same except they have different colored hair.

Characters begin as voices, then gain presence by being viewed in others' eyes. Characters define one another in dramatic contexts. It is often very exciting, when characters meet - out of their encounters, unanticipated stories can spring.

There are so many people who are clever. There are 8000 people at Princeton who are more clever than the three of us at this table. BUT, we have the ability to give something that they don't have...which is us.

I focus on characters as individuals with attitudes and write each scene from a particular character's point of view. That way, even narrative passages take on the character's sound. I don't want the reader to be aware of me, writing.

Her face ... was a one-of-a-kind, a surprising variation on a familiar theme - a variation that made observers think, Yes - that would be another very nice way for people to look. What Beatrice had done with her face, actually, was what any plain girl could do. She overlaid it with dignity, suffering, intelligence, and a piquant dash of bitchiness.

I really don't like to go for the stereotypes. I try to give you characters that you don't know until you get to know them, and [decide] how you should feel about them.

It is as common for tastes to change as it is uncommon for traits of character.

Giving style” to one’s character - a great and rare art! It is exercised by those who see all the strengths and weaknesses of their own natures and then comprehend them in an artistic plan until everything appears as art and reason and even weakness delights the eye.

Nice characters are boring! I like writing upbeat characters - that's my natural tendency.

Writing, for me, is a little like wood carving. You find the lump of tree (the big central theme that gets you started), and you start cutting the shape that you think you want it to be. But you find, if you do it right, that the wood has a grain of its own (characters develop and present new insights, concentrated thinking about the story opens new avenues). If you're sensible, you work with the grain and, if you come across a knot hole, you incorporate that into the design. This is not the same as 'making it up as you go along'; it's a very careful process of control.

We must remember that intelligence is not enough. Intelligence plus character-that is the goal of true education. The complete education gives one not only power of concentration, but worthy objectives upon which to concentrate.

You cannot be all things to all people. Be unique. Be different. Give to others what you want yourself. And do what you were made to do.

I know I'm flawed - but perfect is boring anyway! Flawed is good!

Science fiction fans are the smartest fans in television. They just are. They're just so smart, and they know so much detail and information. They're a part of the story and they inform your character, as well. We all listen to the fans, and we love their feedback and the attention they give us.

I'm sure every pattern has been covered, but it's nice to think you might dwell on some that other people don't.

When I am writing I don't set a certain number of pages. I do know that the further into a script I get the faster it goes. As soon as you start making decisions you start cutting off all of the other possibilities of things that could happen. So with every decision that you make you are removing a whole bunch of other possibilities of where that story can go or what that character can do. So when I get maybe 2/3's of the way through I can see very clearly where it is going to go.

Whatever you do with your life-whatever you end up achieving or not achieving-the great gift you have in you to give to the world is the gift of who you alone are; your way of seeing things, and saying things, and feeling about things, that is like nobody else’s. If so much as a single one of you were missing, there would be an empty place at the great feast of life that nobody else in all creation could fill.

A Thousand Pardons began at the beginning. I wanted it to be one continuous, almost breathless kind of story. In order to do that, it's really hard not to begin at the beginning. There's such a chain of consequence to everything that happens to main characters - it's very hard to break it apart and still be able to hold the plot in your head.