Monica Potter Quotes

I get letters from people about my work. The thing that pleases me most is that my work touches their feelings. In fact, they don't talk about the paintings. They end up telling me the story of their life or how their father died.

If my performance touches someone or helps someone understand themselves a little better or gives them a laugh, I feel like I gave them something. I want to touch people's lives and bring them along with me.

Because of 'Wasn't Expecting That,' I've had a lot of people come up to me and say how I've written their lives or their grandparents' lives. It means the world to me that I helped in the tiniest way.

'Masaan' was a life-changing experience.

My goal is to connect with people emotionally. I take life’s experiences and translate them into music — music that hopefully creates an impact on the listener.

I'd like to think that what I've written over the years and what I'm doing now means something to people. People in the street all the time are saying "love the new record" or "I love that record," this tune or that tune. It means an awful lot, or it's been a big part of their lives. As a songwriter, what else would you really want? You're trying to connect with people, people's emotions, and maybe say something about their lives or feelings. That's probably a good enough compliment to receive, really.

Those of us who make films try to make something that we're feeling and that we would like. Then we just hope an audience responds the same way. It's very important to have the electrical circuit made, but I don't have control over how people feel when they flip the switch. So the whole idea of marketing research and test screenings is just foreign to me.

I've never cared about how successful or how big I was going to be. I just wanted to be part of a story that affected people, made them laugh or cry. To me, that was more important than having my face on some billboard.

I just understand... I mean this may sound kind of bigheaded, bullheaded, or cumbersome, but when people say they've had a really deep experience with the record, like it caused a divorce or it like...I've gotten all these stories.

You have made a place in my heart where I thought there was no room for anything else. You have made flowers grow where I cultivated dust and stones. Remember this, on this journey you insist on making. If you die, I will not survive you long.

We want playing our games to entertain people on many different levels. Deeper down, I want to make a connection with the player, and it's the way, to me, of saying to the person playing the game that they're not alone in the world.

I don't want to sound like I'm trying to be too deep about it, but when we play shows, music takes everybody on their own journey - because one song might mean something to me, that means something completely different to someone else.

People are buying only one thing from you: the way the engagement (hiring you, working with you, dating you, using your product or service, learning from you) makes them feel.

Your movie should lull people into a place of openness and vulnerability. If it is just a diatribe, it's never going to work.

I want my stories to move people ... to feel some kind of reward from the writing.

Generally my favorite remarks always come from my readers. I've had people say my books made them laugh, or cry, or that it frightened them late at night.

I really just enjoy listening to talk [to John Hurt and Charlotte Rampling]... not even about acting or anything. It's interesting because I felt really connected to all these people very easily. They're all very open emotionally, like we're in the scene together, so you never feel like anyone's acting.

What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.

I'd like to do something that hits close to home.

The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.

Music has always carried me through times of loneliness. So when I make music, I like it to make people who listen to it feel like they have a friend who reveals something personal to them, rather than trying to be like a god up on a pedestal

That movie was my girlfriend. That was my girl." I knew there was going to be initial anger. As a matter of fact, when I was deciding to do Footloose that was one of the first things that I had to realize. First of all, I had to figure out a human connection to it but then I also had to reconcile that I was going to get beat up a little bit on this a little bit.

I'm the crazy one who thinks that words reach people.

When someone tells me what he or she was doing the first time they heard a song of mine, then I've done a good job. If my song becomes about your life, then I'm successful.

I have performed for thousands when they found me exotic, the vogue, daring, but I have danced, at any given time, for about ten people... They were the ones that left the theater forever different from the way they were when they came in. All of my long, long life, I have danced for those ten.