Charles Kuralt Quotes

When it is going well, it is the best job [writing] in the world. For those few hours, you are god, in control of everything. However, for me, the great joy of writing is that it has allowed me to travel the world in search of stories.

When I do have time to work on music, I'm kind of selfish, and would rather work on my own stuff than someone else's.

I mostly built stuff that I liked.

I don't take on projects that are a hassle or when someone comes in and says, 'We really need this design,' and I'm like, 'OK, fine, I'll do it.' It really has to be something that I personally feel intrigued and excited about - any product, as long as I'm excited by it. It doesn't have to be a car.

When you get to a point where you're successful enough that you can say, 'I don't have to take any job anymore,' and you're still good at what you do, how do you decide what work to take on? I think the answer is that you pursue what you enjoy. In my case, it's variety.

There's no point in me meeting with a bunch of producers or studios, because I'll write my own scripts in my own time.

The one thing about my life that's different from others is that I wake up for no one, and for some reason, that's just good for your creativity.

I just do things that I'm interested in making and work with the people I'm interested in working with, and it's very important for me to maintain the creative control because, otherwise, I just don't want to do it.

I had this thing where I only wanted to work on original material, no adaptations, and obviously, that changed. I really wanted to have the resources and have the space and the time to tell stories that I've really cared about. I've kind of changed my approach, but I've gotten to do that, to tell stories that I really care about.

I really enjoy the creative freedom that I get when I produce my own projects.

I have always chosen to portray roles which inspired me and mostly that I enjoy it in the first place.

The good thing about doing a comic that's entirely my own voice as a debut is that people approached me with similar jobs, with stuff that they knew that I could do justice to because they had read what I'd already done. It meant that I was getting jobs that I was actually interested in, and I didn't have to prove myself on someone else's property.

I enjoy my work, and I take what appeals to me.

If I feel like I haven't really tapped into the essence of the story when I do an assignment, I may revisit it on my own, and that's when I feel freer to add my imagination. But I think that if you feel imaginatively towards a subject, you really shouldn't do it in a journalistic context, because then you're just fabricating, and that's crazy.

We have to make some movies we have passion for, respect for.

Don't manage your career. Follow your dream and contribute.

I'm involved with projects that strike up a passion with me, that stir up completion inside of me. People come at me and go, 'My job makes me feel alive.' OK, well, good for you. My job doesn't make me feel 'alive,' my job makes me feel alive!

My personal challenge as an artist has been having a day job which is intellectually satisfying and fun - and thus can easily supplant the desire to make art.

I don't want to take up a project for the sake of it. I want to work and follow my passion, and not anything else.

I'm always working my own thing. A few times a week - I try to not go too crazy - I'm working with some other artist. But I'm constantly working my own stuff, and my own stuff seems to come in little bursts.

At some point, I would like to start creating my own things. If people don't write the scripts I like, then I will do my own.

Persistence is half the battle. That's what I love about independent movies. They don't have to be made. There's no studio with an agenda to set up a franchise like 'Batman' or to make a vehicle for a celebrity actor. My films are made because I love the process.

The offers are plenty. I'm just taking time and only working on those projects that excite me.

The shift for me, after spending a long time trying to take existing projects and bring them to fruition as a director for hire, is going back to where I started as a self-generating director. After trying and failing to get so many things made, I have decided that you've just got to do something you really, really love.

I make movies on the subjects that excite me.