Oneohtrix Point Never Quotes

I go where the material is, and I feel like I'm looking for really strong directors. That's the key ingredient. There are some directors I would move the sun and earth for, or stop the rotation of the planets, just to work with them.

I think that any actor - any artist, period - would love to work with an artist like Lee Daniels.

Making movies was a real weird kind of adult experience. In a way it was like MIT, in that it was a great education. The big lesson is, people are people. They're smart, funny, creative people, but they're people.

It's amazing to be able to work with people right at the top of whatever they do... inspiring photographers and stylists with very interesting visual language. The more I do it, the more I enjoy it.

I'd work with Danny Boyle every day of the week. No matter what he was doing I would do that.

I would love to work with Quentin Tarantino - he's my number one. My ultimate. I would love to work with Paul Thomas Anderson, Alexander Payne - Pedro Almodovar wouldn't be too shabby. There are so many good directors, but those are some of my favorites.

I just want the opportunity to continue to do great films, play great characters and work with great people.

You never know when you read a script how it's going to turn out because so much depends on the collaboration between people. If I'd been in some of the movies I turned down, maybe they wouldn't have been a success.

Every time you make a movie it's an adventure.

When you produce and direct, your movies are different to you. They're not just something you act in.

I have a really good relationship with Focus Features; we had a wonderful time working together on 'Sin Nombre.'

Filmmaking is such a collaborative medium.

I would love to work with Shane Meadows - great director.

A film goes through so many hands, that by the time it's done, it might not resemble what you thought you were making.

When you make a movie, it's up to so many things and so many people.

Producing is the hardest of the three because there is almost no closure. Every time you solve a problem, another one pops up. Directing is second, and acting is the most fun.

The great thing about movies is that they're collaborative. And the worst thing is that they're collaborative.

My approach to working in movies is to empower the director to have power over me and to really support his vision because he's the guy, at the end of the day, who's going to put it all together.

I loved working with Peter Weir. I think he's one of the greats and will be remembered as one of the greats.

I have the deepest respect for Terrence Malick and greatly enjoyed helping him on 'Tree of Life.' I consider him to be a good personal friend and professional contemporary.

I always like to work with really good filmmakers and really good actors.

It would be incredible to work with Stanley Kubrick and go back in time.

I would love to work with Christopher Nolan, 100 percent.

I haven't worked with a director who is a crazy person at all.

I think it's rare for anyone that a really accomplished, amazing director calls you up and says, 'I want to make a movie around you, and I want it to be this.'