Flannery O'Connor Quotes

Early in my career, I'd plan something out for my characters. But I've learned that if you know who your character is and you go on instinct, it won't be wrong. It's never wrong. It's just different.

When I write a story, it's not like I'm thinking about what I'm doing

You cannot overestimate the role of intuition in fiction writing. Or the role of accident or randomness. These things are very central. This is never really admitted. You have to cover the pages. You have to have those people do things. And the things they do have to be relevant to the entire concern. The specific things they do don't much matter, you just have to have them do something that counts.

When you're writing a 25-minute episode that can be anything, sometimes you just start with a character, and you let them walk into the room. Then you let your instinct guide you. That's how we made art when we were 15 years old. And that's so fun to us.

I think that the way that I write stories is by instinct. You have some basic ideas - a character, or an image, or a situation that sounds compelling - and then you just feel your way around until you find the edges of your story. It's like going into a dark room... you stumble around until you find the walls and then inch your way to the light switch.

When I write, I never know the endings. What I think works in [my] stories is the fact that when I write, I really want to find out what is going on-I'm writing for myself as a reader. It's like when you dream a dream. I want to know what's behind the door. If I navigate, it's from a place that's totally intuitive.

When I'm writing a book, generally I start with the mood and setting, along with a couple of specific images—things that have come into my head, totally abstracted from any narrative, that I've fixated on. After that, I construct a world, or an area, into which that general setting, that atmosphere, and the specific images I've focused on can fit.

I want to be clear about this. If you wrote from experience, you'd get maybe one book, maybe three poems. Writers write from empathy.

...imagine what you are writing about. See it and live it. Do not think it up laboriously, as if you were working out mental arithmetic. Just look at it, touch it, smell it, listen to it, turn yourself into it. When you do this, the words look after themselves, like magic.

I write books and either people read them or they don't read them. The rise of Facebook or e-books doesn't change the difficulty level of writing sentences and thinking up new ideas.

You either have an imaginative mind or you don't. All of my writing is God-given. I don't write my stories - they write themselves.

Writing a story is like going down a path in the woods. You follow the path. You don't worry about getting lost. You just go.

I've been told by people who write historical novels that you just sort of write the emotional truth first, the story at the core, and then you go back and research it at the end.

I write almost purely by instinct. I've never made an outline.

I love writing in first person more than third. I have to basically suspend my own world. I don't exist. I'm just a conduit. So I can be eight years old. I can be the mother of a kid that you find out certain things I'm not going to say.

My characters, I find them as I'm writing. It's quite incredible how fully realized they are in my mind, how many details I know about each of them.

I don't consciously try to take my readers on a journey as I don't really think about my readers when I'm writing. I just try to write what I feel passionately about, to tell a story down onto the page.

I think at some level, it's just alchemy that we, as writers, can't explain when we write the characters. I don't set out to create the characters - they're not, to me, collections of quirks that I can put together. I discover the characters, instead. I usually go through a standard set of interview questions with the character in the beginning and ask the vital stuff: What's important to you? What do you love? Hate? Fear? .. and then I know where to start. But the characters just grow on their own, at a certain point. And start surprising me.

Writing fiction means putting a lot of what you believe about the world at risk, because you have to follow your characters.

You can't be a writer and have nothing to write about. You have to have life experiences.

One writes not by will but by surrender.

I believe people instinctively know that about writing, yet people get confused about that when it comes to acting.

How I work is that I write a story I'd like to read. Then you fly to Paris or Sydney and the interviewers talk about the greater significance of your work.

When you write a character and their dialogue, you can't help imagining how you would be acting if you were them. You kind of have to relate to all of them. It's the most personal thing I've ever done.

I felt like if I could get the epiphany out of the way in my drafting process, through my eighth or tenth draft, then that can just be part of how I've assembled the character, and then we can move on and move forward with it. In general, I don't ever want to feel smarter than my characters, because I just feel like that's not a great way to write a story.