Grace Paley Quotes

I'm still learning. It's all a learning curve. Every time you sit down, with any given episode of any given show, it is a learning curve. You're learning something new about how to tell a story. But then, I've felt that way about everything I've ever done - television, features or whatever. Directing or writing, it always feels like the first day of school to me.

Every story teaches you how to write that story but not the next story.

I believed, after writing 'Mrs. Kimble,' that I knew how to write a novel. I quickly discovered that I only knew how to write that novel. 'Baker Towers' was a different beast entirely; and I felt as though I had to learn to write all over again.

Every story teaches me how to write it. Unfortunately, it doesn't teach me how to write the next one.

I have written a great many stories and I still don't know how to go about it except to write it and take my chances.

To write a book is for all the world like humming a song—be but in tune with yourself, madam, 'tis no matter how high or how low you take it.

For me,the greater part of writing is daydreaming, dreaming the dream of my story until it hatches out-the writing down of it I always find hard.But I love finishing it,then holding the book in my hand and sharing my dream with my readers.

In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending. So for much of the period in which I'm writing, I'm waiting to understand what's going to happen next, and how and where it's going to happen. In some cases, fairly early in the process, I do know how a book will end. But most of the time, not at all, and in this particular case, many questions are still unanswered, even though I've been working for months.

Writing a book is an adventure. To begin with it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public.

Stories have a richness that goes way beyond fact. My writing knows more than I know. What a writer must do is listen to her book. It might take you where you don't expect to go.

To this day, if you ask me how I became a writer, I cannot give you an answer. To this day, if you ask me how a book is written, I cannot answer. For long periods, if I didn't know that somehow in the past I had written a book, I would have given up.

A writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others.

Writing a book is a horrible, exhausting struggle, like a long bout with some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand.

You never learn how to write a novel. You just learn how to write the novel that you're writing.

I have seldom written a story, long or short, that I did not have to write and rewrite. There are single stories of mine that have taken me ten or twelve years to get written.

The book [ One Thousand Gifts] took just over a year to write, on the fringe hours, early and late, around home educating 6 kids and farming and blogging. And I wonder if the greatest challenges was to keep pressing into it when I had never been here before. I felt like Abraham - being called to something that he didn't know how to get to.

When you write your first novel you don't really know what you're doing. There may be writers out there who are brilliant, incisive and in control from their first 'Once upon a time'. I'm not one of them. Every once upon a time for me is another experience of white-water rafting in a leaky inner tube. And I have this theory that while the Story Council has its faults, it does have some idea that if books are going to get written, authors have to be able to write them.

I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.

Friends open the door for me to write. Then I get paid attention to and it allows me to write other books. The Great Spring and the thirtieth anniversary of Bones just came out and while I'm happy and excited about that, I've already finished a new book. That's what practice does. You don't get caught.

I am sure it has been done with less, but you should be prepared to write and throw away a million words of finished material. By finished, I mean completed, done, ready to submit, and written as well as you know how at the time you wrote it. You may be ashamed of it later, but that's another story.

The two things I enjoy the most about writing are the first page of a book and the last. What's in between is very hard work.

For the years I spent working on it, 'Constellation' was the only novel I knew how to write, so maybe I still abided by the maxim? Regardless, I prefer the maxim: Write what you want to know, rather than what you already know.

I want to wake up one morning and know how to write page one, or page 10, or page 250. But I never seem to know how to do it. Every book is different and takes a different structure, style, process, etc. And relearning how to write is where the insanity comes from.

I've never actually even contemplated writing a book or having a book.

Every time that I write a novel I am convinced for at least two years that it is the last one, because a novel is like a child. It takes two years after its birth. You have to take care of it. It starts walking, and then speaking.