Rob Huebel Quotes

I'm happy in English studios. I just feel like there's no pressure anywhere.

Having a director who is also an actor makes for that very relaxed way of working and it's empowering.

I never did feel any pressure in Jamaica. You just someone, not nobody big.

The thing about 'On the Doll,' I was doing 'Nip/Tuck' at the time, and I was doing only 5 or 6 scenes an episode. So I had some free time, and I wanted to do something completely different than what I've ever done before.

The best part about stand-up is that you control everything. Period. When you work in movies, or on TV shows, there are 50 other people involved.

Being in a space that's not a studio, it kind of creates an openness of 'We can do whatever we want here; we're not on the clock.'

When you write on your own, you can write the extremes. No one else is watching and you can really go as far as you need to.

There is a whole aspect of freedom to recording at home that you don't get in a studio. The possibilities are infinite, and there is no reason not to explore them.

Voice work is the best - no need to dress up, no audience, no pressure, nobody's judging you.

With film, there's a consistency to it, but what I like about the TV shows that I've been fortunate to do, like 'Friday Night Lights' and 'True Blood,' is that it feels like you're doing a film.

The best part about Chickenfoot is that nobody needs the money. We've got nothing we need to prove to anybody. We wanted this to be a fun band and when we get in the studio it's just so loose, relaxed, and open.

When I'm in the studio, I'm very cautious about it because if there's one thing that can destroy music being made, it's any sort of agenda, expectation and/or schedule, or any of that.

It's nice just to be able to go out and, basically, be able to play other types of music and not have any pressure to almost explain it and justify why you did. I just do it because I like to have some fun.

Kabir Khan is a director who goes out of his way to make his actors comfortable. He's very chilled out. He makes the environment on set very casual and friendly.

I think there's all these unknown things you can tap into when you just leave things open, and nothing is forbidden. Then you allow yourself to mold that thing that has been created by freedom and spontaneity and flexibility. That's why I avoid limiting performances of actors and characters.

I started writing 'Normal People' not knowing that anyone would read it, not knowing that anyone would read the first book, so I didn't really have any hang ups about, 'Oh, I can't do this again. I've done this already.' It was just a project I was working on for my own amusement.

Every movie is unique and hence, I will not compare 'KGF' with the projects I choose in the future. So, I'm not under any pressure.

I don't want to be set in music my whole life. I want to experience some of my youth not being Tom Misch, away from the expectations.

The great thing about not having a script is there's nothing you have to shoot that day. When you start filming, you can shoot anything you want. There's no pressure to shoot anything. Whatever interests you that day is what you're shooting. That's a big liberation that makes it more enjoyable and more relaxed. I think if you have that kind of framework it can make it a much more satisfying thing to work on and to watch as well.

Obviously, David [Shore] probably has pressure because House was such an amazing show. But I try not to go into these jobs, thinking that I have to live up to people's expectations.

It's a fun show, BoJack Horseman to do, and that gets around. It's easy, especially for a lot of actors who don't do a lot of voiceover. No makeup, no wardrobe, they really just come in, the lines are right there, we goof around for a half hour, and I think it feels like, "Oh, yeah, this is why I got into this business: to play around and have some fun." There's no paparazzi, most of them don't do any promotion for the show. it's the fun part of acting, without the other stuff.

I don't have any pressure on myself. I don't have a big record label backing me. I'm doing it all myself.

When I came overseas, I realized that there are many ideologies and many trends, and it's also very hard to produce honest art and honest literature. I decided that I didn't want to follow any of these ideologies or trends, because that's also a kind of pressure that doesn't allow absolute freedom. So I decided that I was only going to produce works that were satisfactory to me, and that meant not following any trends and being anti-ideological.

It's really wonderful to come to work and have each episode be different, in a way. They have similar structure sometimes with the villain, but we can go in any direction we want. If we want to do an episode set in the circus, we can do that. You know how precious that is. That doesn't come around a lot.

Usually when I make music, in my head I'm like 'this isn't Grimes, this is just some other project that you can release later, so there's no pressure and it doesn't matter and no-one's ever gonna hear it'.