Rodney Crowell Quotes

You can draw a line between what I'm interested in and what I'm not interested in. On one side you can name Dylan and Lennon, who observe the world and have feelings, and write songs directly from those feelings. On the vapid side you have pop groups who need material and write songs to fill the hole, rather than getting somebody else.

People like to say their songs are like children, but you gotta get those kids out there so they can make some money and pay the rent.

So it's hard to be an artist and be true to the reality of the world you want to create and also make it entertaining and successful financially.

We've made bad albums in the past, and people have bought them. I don't know. I don't care. I'm just grateful for it.

The box office isn't something I consider. If I do, I can't really work.

Sometimes it starts with a random lyric idea that sets the tone for the whole song. Chords and sounds build from the lyric and rhythm, kind of. Sometimes it's a track I fall I love with... but writing my own songs, I rarely write on tracks.

I write songs for myself, songs come out of me, I get enjoyment out of it. Basically, that's it - I get enjoyment out of my songs, I know they're good songs, and know that the people around me who I respect are all getting up on these tunes, and the feedback is really good, so that's it. There are people who will receive them, and don't receive them. Not in a spiritual sense, but in a commercial sense - do these songs treat people, and so far they're working.

The fate of a song is often established in the first 15 minutes of writing.

I'm not the kind of writer that can wake up and say, "Okay, I'm gonna write a song today," and have that song be the kind I would want to record. The songs of mine that I end up liking are songs that come from real experience. They're like chapter titles in my life.

The first splurge of creativity is kind of free, and the last 30 percent is painstakingly hard work, but it's good to light a fire and make it public and create that expectation. It's become part of the writing process, really, a way to ask the audience what they think, how they think it's going. I can't write songs in a vacuum.

I think that any songwriter - and I think that Bob Dylan knows this more than all of us - you don't write the songs anyhow.

I'm not writing just classic-sounding songs, but songs that come from experience.

I don't try to approach things any differently, songwriting-wise, regardless of what I'm doing. I try to write whatever the best thing is that I'm doing that day. If I'm working on a pop song, I'm working on a pop song to the best of my ability. If I'm working on a bluegrass song, it's the same thing. They're not really different parts of the brain.

So yeah, it's nothing that I'm doing on purpose, I just think that the more records, the more songs that I write, the more records that I make, you're obviously going to fall into a specific style and thank God it's a style that people are into.

There's a feeling that you get when you write songs where... it feels like it's destined to do something. Then sometimes you get that feeling with a song and it never goes anywhere, that happens all the time too, so you never really know.

I look upon this as I did upon the Dictionary: it is all work, and my inducement to it is not love or desire of fame, but the want of money, which is the only motive to writing that I know of.

You don't write a novel out of sheer pity any more than you blow a safe out of a vague longing to be rich. A certain ruthlessness and a sense of alienation from society is as essential to creative writing as it is to armed robbery.

Do not set out to write with your eyes on the box office. It can't be done.

I didn't really want to write just lyrics, but I wanted to meet Leonard Bernstein. Music was always the first reason I was writing songs.

In 1992, with the weight of a perceived world on our shoulders, we disappeared into a parking garage to write the songs that would change the course of our lives forever. 'Siamese Dream' represents all of our dreams coming true, while the dreams of a happy band fell apart.

I didn't set out to write certain kinds of songs - I just set out to write good songs.

I don't ever try to anticipate my audience. I just write the songs I want to write, and hope people like 'em.

Johnny Cash's face belongs on Mount Rushmore...I don't write as much as I did back when I was writing songs every day. I've come to know when I've got a good one, although sometimes it takes the world awhile to catch up with me...If you're in it because you love it and you have to do it, that's the right reason. If you're in it because you want to get rich or famous, don't do it.

The writer's intention hasn't anything to do with what he achieves. The intent to earn money or the intent to be famous or the intent to be great doesn't matter in the end. Just what comes out.