Jake Paul Quotes

I want to try everything I can; I want to push my boundaries and experiment with characters and genres that I have yet to try.

Creative experimentation propels our culture forward. That our stories of innovation tend to glorify the breakthroughs and edit out all the experimental mistakes doesn't mean that mistakes play a trivial role. As any artist or scientist knows, without some protected, even sacred space for mistakes, innovation would cease.

Well, every movie is an experiment. And the only way you can grow at what you're doing is to take chances. You can't try to stick with what worked last time.

One of the things that always was Fall Out Boy was trying new things and kind of pushing ourselves in different directions.

All life is an experiment. The more experiments you make the better.

With any new medium, the full power is only unearthed with experimentation.

The only way I'm comfortable with a new album is if I'm taking a new risk.

I remember on my very first film, which Steven Soderberg executive-produced, he said, 'Try not to repeat yourself. Do things that scare you.' Even if it's a challenge, I want people to say that this guy tried this thing. Hopefully he learned from it.

The show, like everything we have done and still do, is just one more experiment.

How can you go out on a limb if you do not know your own tree? No art ever came out of not risking your neck. And risk--experiment--is a considerable part of the joy of doing.

One of the benefits of playing to small audiences in small clubs for a few years is that you're allowed to fail.

I want to work with performers who really are ready to lose their minds, you know? People who are established and have talent, but who are ready to break new ground and really be cracked open in a new way.

Some people might be groomed for success; I've just always thought I've got a hell of a lot of things to learn and places to go. Creatively, I couldn't stay on the same treadmill. I chose to be off-centre and do collaborative work.

It was actually the enormous risks I took with my pictures, skating right up to the edge of non-acceptance, that paid off so handsomely.

The stage sharpened my creative instrument and encouraged me to go deeper and try new things.

There's no way to really mock up or simulate what I'm doing until I'm there. An exhibition for me is not a statement but an experiment.

I love fools' experiments. I am always making them.

I have found that I always learn more from my mistakes than from my successes. If you aren't making some mistakes, you aren't taking enough chances.

Musical accidents are a gold mine. The thing about accidental discoveries is they won't be made unless you put yourself in a position to make that discovery. To do that means hundreds of hours, days and weeks where you do things and don't discover anything.

I think that every artistic venture is a risk, and it has to be that way, so you do as much preparation as you can and make that as thorough as you can possibly make it, until you turn up on set. It's about taking risks, and some might work and some might not, but that's what makes it interesting.

I really like to experiment. That's the only way I can work. It's instinctive.

Creatively I just enjoy challenging myself in different genres.

The only reason you make a movie is not to make or set out to do a good or a bad movie, it's just to see what you learn for the next one.

You're always in a different headspace when you make each record, so hopefully they're all different. You just pick up things that you wish you hadn't done on the first one.

Mistakes and dead-ends often mean more to these artists than any proven problem.