Reshma Shetty Quotes

I really love playing McKay. It's one of those roles where every day something is different.

Depending on the show, I've played a cop, a criminal, or a victim. So there's a range.

Each time that you're playing a character, it's hard to pick a favorite.

When you're doing a play that's fully produced, you have the benefit of rehearsing for four or five weeks, so you really get to live in the skin of the character for much longer than when you first start doing a character on TV.

You just have to play the character.

I'm lucky to play Elektra. So far, it's the most exciting part I've ever had to play. I've done the physicality a bit before, and I enjoy it.

Wayne was coming out of a session as Mickey for 'Totally Minnie.' We met in the hallway. We just blended really well.

Actors, we like stories, we like storytelling, we love being a part of the story, and if you give us a story that's interesting then we'll want to do it.

I'd play the same character for ten years if the words and the moments that I'm playing are authentic.

I don't get called very often to play innocents.

I loved playing Chandler. I grew up playing that part.

So I just play the character, I play the lines.

Everything was magnificent so far, even if I knew my part of dramas.

The role of an actor is to make every character believable.

It is so fantastic being an actress because you have the chance to be a thousand different people when you act.

I love the characters I've had the opportunity to play.

You have to have wonderful actors for material, particularly difficult material that requires complicated performances.

Casting is storytelling.

I work according to the kind of character they want me to play.

I loved my role in Devaki' and enjoyed enacting the character.

What I play on screen doesn't bother me.

My job as an actor is to be visible and to tell stories.

A good part's a good part. You can play serious and funny moments with a well-written role.

One thing I've really never had a problem with was memorizing lines. Most of the time I don't memorize the lines until we're on the set shooting the scene.

If I talk about Charles Dance I am talking about something else, something I operate and wind up and have to make an impression with and use to transmit someone else's screenplay.